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Motion Graphics and RE:Lens
Description
In this tutorial, we will see how to use motion graphics, text and AE Paint with RE:Lens.
This Tutorial Includes
- Video
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RE:Lens Working with 360 Virtual Sets
Description
In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.Was also used:RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After EffectsIn this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.
13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.
RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After Effects
This Tutorial Includes
- Video
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Uploading 360 Video to YouTube, Facebook and other players
Description
In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook. Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=enhttp://www.revisionfx.com/products/relens/In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook. Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=en
Also, how to export your 360 video with proper metadata, directly from Premiere Pro and After Effects.
This Tutorial Includes
- Video
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Export UV maps out of 3DS Max or Maya using Mental Ray or V-Ray
Description
This document outlines how to generate UV maps out of 3DS Max and Maya using Mental RAY (MR) and VRAY with reference renders and reference scenes and screenshots showing the settings. The intent is then use RE:Map UV or RE:Map Inverse UV in your compositing program.
We would like to thank Chad Capeland (https://indicated.co/) for helping us to document this process and testing the best approaches.
Note if you use V-Ray in Cinema 4D for example, you might want to also check our video tutorial using Cinema 4D Renderer ( http://help.revisionfx.com/task/22/#/tutorial-150) ).
This Tutorial Includes
- Web Pages
- ZIP Files
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Twixter Overview in Sony Catalyst Edit
Description
This tutorial shows how to do a simple speed-up and slow-down using Twixtor in Sony Catalyst EditSpecial Thanks to Mark Tekushan www.mfxs.com for allowing us to use his sailing footage.This tutorial shows how to do a simple speed-up and slow-down using Twixtor in Sony Catalyst Edit
Special Thanks to Mark Tekushan www.mfxs.com for allowing us to use his sailing footage.This Tutorial Includes
- Video
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Quick Tip - Setting Color Correction Window
Description
Description:This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applicationsThis tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.Description:In this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.
This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applicationsIn this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.This Tutorial Includes
- Video
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Lightwave to AE: Deformers and RE:Map
Description
How to get a UV pass out of LightWave 3D, for use in After Effects using the RE:Map plugin with a few other tips along the way.
Check Mark Warner blog for other cool Lightwave tricks...
This Tutorial Includes
- Video
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DEFlicker for Premiere Pro - Best Practices
Description
This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/DEFlicker/This tutorial covers the best practices and tips for using DEFlicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.
This Tutorial Includes
- Video
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Brograph Tutorial 034 - C4D and RSMB Pro Vectors
Description
Thank you to "Brograph Tutorials".
In this tutorial, you will learn how to render out motion vector files in C4D and bring them into AE and use the RSMB plug in for motion blur.
*Note: The author forgot to set his project to 16 bpc of floating point which removes a lot the need the smooth the motion vector pass (why he uses a blur) particularly as resolution increases.
If you work in floating point in AE, you could also use shift channel instead of set matte.
You can also do all the MV pre-processing with RE:Fill Alpha or RE:Fill choke if you have that.This Tutorial Includes
- Video
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Post motion blur using RSMB motion vectors in Nuke from C4D
Description
Quick overview of how RSMB uses motion vectors in Nuke from a C4D motion vector pass.
Thanks to Impossible Engine for creating this tutorial.
This Tutorial Includes
- Video