Description

In this tutorial, we show how to integrate Mocha tools with our plugins since many of our tools support mattes, points, and masks from other software, we will see examples of this integration using Mocha to export mattes, masks, corner pin, stabilization and transform data.

01:11  Import Shape - example uses PV Feather

02:45  Open Shapes with Mask Avenger - example uses SmoothKit Directional With Splines

06:56  Import Corner Pin and Stabilization transform - into RE:Map Planar / Corner Pin  (using expressions)

10:30  Import Matte - clean with RE:Fill

Credits: picture set used here is of "Madison" (daughter of william @ illuminessence.co.uk)

Description

This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors, Smoothkit ZBlur, RE:Fill and Shade Shape in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). 

Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.

Description

In this example, we show SmoothKit Staircase Suppress and its ability to reduce "jaggies" without unnecessarily overblurring. 

Description

In this example, we explain how SmoothKit DIffusion works. A specific example is given showing how better median filtering can be accomplished.

Description

Create super long timelapse-like streaks using ReelSmart Motion Blur and SmoothKit Frame Accumulate.

Description

SmoothKit Directional with Splines uses AE's masks or combustion's rotosplines to interactively control the direction of the blur at each pixel.

Description

Using SmoothKit Directional you can control the direction of a blur at each pixel independently.

Description

In these examples we show how to create depth-of-field effects using SmoothKit ZBlur using color and depth images rendered from a 3D system.

Description

SmoothKit's Gaussian filter can be used to control per-pixel blurring and vary the amount of detail on a per-pixel basis.

Description

This tutorial may seem rather specific to creating a stylized look, but processing footage in this way can be useful for many tracking and keying jobs too.