Description

Quick overview of how RSMB uses motion vectors in Nuke from a C4D motion vector pass.

Thanks to Impossible Engine for creating this tutorial.

Description

This tutorial covers the basic use of RSMB and RSMB Pro with Vectors in HitFilm.
Special thanks to Oton Bacar  for the BMX footage and Arkadiy Demchenko for the Motion Vector spider. 

Description

This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart  Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
A Special Thanks to:
Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
Patrick Boivin https://www.youtube.com/user/PatrickBoivin  for the Transformer, stop motion footage
Grayson Hild http://www.graysonhild.com  for the time-lapse pier and lifeguard tower time-lapse footage. 

Description

In this tutorial, you will see several examples demonstrating frame rate conversion and mixed format issues and their solutions.

Credits:
We would like to thank the following for providing footage:

Gordon Laing - 120fps footage
http://cameralabs.com
cameralabs.com/reviews/Sony_Cyber-shot_RX100_III/

Also, thanks to Tim Easton for modeling for footage with numbers.

Description

A video covering the use of  Reel Smart Motion Blur to add motion blur to your images in the post process via the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here 9bstudios.com/modo70x/CrazyChicken.zip

Special Thanks to Yazan Malkosh 9bstudios.com  for providing us with this tutorial. The 3D renderer is Modo luxology.com

Description

This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors, Smoothkit ZBlur, RE:Fill and Shade Shape in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). 

Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.

Description

Assigning a Coverage Alpha Matte to the Control Source

Some of our products work from image data rendered from a 3D renderer. Here are notes about Motion Vectors but they apply as well to exporting surface normals or UV maps…

Description

This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). A Sample project is included using After Effects.

Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.

Description

In this tutorial you will learn how to utilise a motion vector pass from Cinema 4D to introduce motion blur in to your final comp, with RE: Vision Effects Reel Smart Motion Blur Vectors Plugin.

If Play link does not work, try this external link

http://vimeo.com/33243611/

Description

This is a four-part tutorial about adding motion blur to a Maya render by first creating a 2D motion vector sequence and then using it with ReelSmart Motion Blur in post production. I’ll be covering Maya 2009’s 2D motion vector pass as well as installation and use of the lm_2DMV shader for earlier Maya versions. Once this technique is part of your pipeline, it can be a tremendous time saver compared with creating (and waiting for) motion blur from within Maya. It also provides the flexibility of applying any amount of motion blur without having to re-render.