Description

In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.

credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarro

Description

In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.

Camera used:GoPro Omni 360, GoPro Karma drone

Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

Camera tech: Andrew Ganzon

Description

This screencast takes the Moving Morph a step further, explaining how to vary the splines dissolve rates and also how to use the Control Image to fine tune your results.
Special Thanks to credit Amy Seiwert's Imagery ( http://www.asimagery.org ) for providing footage for this tutorial.

Description

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses

Description

In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=en

Also, how to export your 360 video with proper metadata, directly from Premiere Pro and After Effects.

Description

his tutorial covers the basic use of Twixtor in HitFilm to do a Speedup, a Slow down and an animated Speed Ramp.

Special thanks to Rickard Bengston  for use of his footage.

Description

This tutorial covers the basic use of RSMB and RSMB Pro with Vectors in HitFilm.
Special thanks to Oton Bacar  for the BMX footage and Arkadiy Demchenko for the Motion Vector spider. 

Description

In this tutorial, we explore some of the advanced features of DEFlicker and show examples of special case scenarios and how to use these advanced features to get better results.
Special Thanks to: VideoBlocks.com for providing the hotel time-lapse footage and Christmas tree footage used in this tutorial.
Special Thanks to: Dan Lantz,Temple University for providing the Lobby footage and to Anthony Magliocco for the Soccer footage.

Description

In this tutorial, we show how to integrate Mocha tools with our plugins since many of our tools support mattes, points, and masks from other software, we will see examples of this integration using Mocha to export mattes, masks, corner pin, stabilization and transform data.

01:11  Import Shape - example uses PV Feather

02:45  Open Shapes with Mask Avenger - example uses SmoothKit Directional With Splines

06:56  Import Corner Pin and Stabilization transform - into RE:Map Planar / Corner Pin  (using expressions)

10:30  Import Matte - clean with RE:Fill

Credits: picture set used here is of "Madison" (daughter of william @ illuminessence.co.uk)

Description

In this tutorial, we interpolate between different still camera views.  We review some advanced techniques (mattes and splines) to help the frame interpolation.  RE:Match Stereo was used to remove a water spot from the footage.