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  • Premiere Pro to After Effects Workflow

    Link
    Description

     

    In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

    In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

     

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  • Quick Tip - Setting Color Correction Window

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    Description

     

    Description:
    This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results.  This complements our other tutorials about specific features of the product that work the same in all applicationsThis tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results.  This complements our other tutorials about specific features of the product that work the same in all applications.Description:

    In this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.

     

    This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results.  This complements our other tutorials about specific features of the product that work the same in all applicationsIn this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.

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  • “Save our Beaches” – an example using multiple RE:Vision Effects plugins

    Link
    Description

     

    This video is a showcase of a short PSA created using RE:Match, DE:FLicker, ReelSmart  Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
    A Special Thanks to:
    Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
    Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
    Patrick Boivin https://www.youtube.com/user/PatrickBoivin  for the Transformer, stop motion footage
    Grayson Hild http://www.graysonhild.com  for the time-lapse pier and lifeguard tower time-lapse footage. 
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/

    This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart  Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
    A Special Thanks to:
    Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
    Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
    Patrick Boivin https://www.youtube.com/user/PatrickBoivin  for the Transformer, stop motion footage
    Grayson Hild http://www.graysonhild.com  for the time-lapse pier and lifeguard tower time-lapse footage. 

     

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  • Twixtor Pro - Virtual Camera moves - multi-view interpolation

    Link
    Description

     

    This tutorial covers some advanced tools in Twixtor Pro including Masks & Splines and also, RE:Match Stereo was used to remove a water spot from the footage.
    Special Thanks to William Watling for providing the footage in this tutorial:
    http://www.illuminessence.co.uk/

    In this tutorial, we interpolate between different still camera views.  We review some advanced techniques (mattes and splines) to help the frame interpolation.  RE:Match Stereo was used to remove a water spot from the footage. 

     

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  • RE:Match Non-matching Cameras in Premiere Pro

    Link
    Description

    In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.

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  • Introduction to RE:Match Stereo

    Link
    Description

    Description:This tutorial covers the basic concepts and use for RE:Match Stereo

    Credits:We would like to thank the following for providing footage:
    Jaime Fernández Miranda - jim-box.com.

    Some material was licensed from Mammoth HD - mammothhd-3d.com/

    Thank you to Werner Bloos  info@digi-dat.de for providingFootage 

    OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage. 

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  • Introduction to RE:Match Color

    Link
    Description

     

    This tutorial covers the basic concepts and use for RE:Match Multicam
    Credits:
    We would like to thank the following for providing footage:
    Some material was licensed from Mammoth HD - mammothhd-3d.com/
    The horses are from Trey Ratcliff of stuckincustoms.com
    And also, thanks to Ami Sun for additional footage.
     
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/rematch/

    This tutorial covers the basic concepts and use for RE:Match Color.

    Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/

    The horses are from Trey Ratcliff of stuckincustoms.com

    Also, thanks to Ami Sun for additional footage. 

     

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  • M1 and Rosetta 2

    Link
    Description

    This is a Sales support tutorial explaining M1 and Rosetta 2.
    *Note: There is a small typo at 00:20. It is x86-64  not x64-86
    Author:   Lori Freitag
    Company:  RE:Vision Effects

    This is a Sales support tutorial explaining M1 and Rosetta 2.


    *Note: There is a small typo at 00:20. It is x86-64  not x64-86

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  • Managing your account - Moving a key-based license

    Link
    Description

    In this tutorial we will see how to deactivate a license directly from your machine and also how to manage a license remotely via your account.Note: (This tutorial is for you, if your license format is: XXXX-XXXX-XXXX-XXXX-XXXX-XXXX-XXXX Issued from Dec 2018 and later).



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