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  • How to make a perfect stabilization VR 360 Hyperlapse video

    Link
    Description

    Andrii Shramko demos a useful feature in RE:Lens spherical stabilizer allowing you to handle real hard shots by masking areas of the source. You can also use this feature on fisheye stabilization where there is moving junk (light flares and leaks) outside of the image circle that affects the tracking, as well as in stitched videos where a camera is moving indepedently from the rest of the rig (which confuses any tracker).
    https://www.facebook.com/shramko360/

    This Tutorial Includes
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  • Premiere Pro to After Effects Workflow

    Link
    Description

     

    In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

    In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

     

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    • Video
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  • RE:Lens - Shoot now, do the camera work later

    Link
    Description

     

    In this tutorial, we will use the RE:Lens Superfish plugin, to animate the camera in post and show two examples.   
    camera used: Modified GoPro camera with the Entanyia fisheye lens by Entapano 

     

    In this tutorial, we will use the RE:Lens Superfish and the From Latlong plugin, to animate the camera in post and show two examples.   


    camera used: Modified GoPro camera with the Entanyia fisheye lens by Entapano 

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  • RE:Lens - Advanced Stabilization Tips

    Link
    Description

     

    In this tutorial, you will see some advanced tips and tricks for using the Spherical Stabilizer within RE:Lens ToLatLong.  
    Special thanks to Kevin Cruz & KODAK PIXPRO for the use of the Camel footage

    In this tutorial, you will see some advanced tips and tricks for using the Spherical Stabilizer within RE:Lens ToLatLong.  
    Special thanks to Kevin Cruz & KODAK PIXPRO for the use of the Camel footage

     

    This Tutorial Includes
    • Video
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  • RE:Lens Project Example - Tips and Tricks

    Link
    Description

     

    In this tutorial, you will see the workflow of a RE:Lens project utilizing Superfish and the "Spherical Stabilization" feature.  
    Special thanks to JK Imaging Ltd. for the use of the Camel footage.

    In this tutorial, you will see the workflow of a RE:Lens project utilizing Superfish and the "Spherical Stabilization" feature.  
    Special thanks to JK Imaging Ltd. for the use of the Camel footage.

     

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  • RE:Lens - Stabilizing 360 VR footage

    Link
    Description

     

    In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens Superfish, ToLatLong and FromLatLong.

    In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens Superfish, ToLatLong and FromLatLong.

     

    This Tutorial Includes
    • Video
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  • Tracking, Fisheye lenses and RE:Lens

    Link
    Description

     

    Description:
    In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens.  Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFish
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/RELens/

    Description:In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens.  Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFish

     

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  • RE:Lens Defish and Superfish

    Link
    Description

    In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

    Cameras and lenses used:

    Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

           Beating the edge of frame over-stretching with Defish

    Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

           Non-Square Pixel Aspect Ratio, Anamorphic process

    Ex. 2.A) - GoPro Hero 4 Black Superview Mode

    Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

            Full Frame Fisheye and RE:Lens Defish

    Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

            Circular Fisheye lenses and RE:Lens Superfish

    Ex. 4.A) - With Kipon Adapter

    Ex. 4.B) - With Metabones Adapter

    Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

           - Superfish Lenses

     

     

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  • Motion Graphics and RE:Lens

    Link
    Description

    In this tutorial, we will see how to use motion graphics, text and AE Paint with RE:Lens.

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  • RE:Lens Working with 360 Virtual Sets

    Link
    Description

     

    In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.
    13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.
    Was also used:
    RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.
    RE:Map UV was used to texture map the monitors.
    RE:Match Color was used to match a plate that wasn't color balanced.
    Video stitched with VideoStitch and PTGui.
    3D set made in Maya, rendered in Mental Ray.
    Assembled in After Effects

    In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.

    13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.

    RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After Effects

     

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