Description

A series of tutorials for Autograph

Tutorials

1. Getting started in Autograph-Using our plugins »
2. Twixtor in Autograph »
3. Autograph: Getting Started »
4. Instancer: Basic Principles and Concepts »
5. Instancer: Creating an Animated Rainbow Transition »

Description

In this tutorial we will see how to use Color Genius plug-in version.  This was created in Resolve but can be applied to any other host application.

Description

In this tutorial we will see how to do a simple slow-mo in Motion using Twixtor v8 with Machine Learning.  We see a comparison between optical flow and DNN (Machine Learning) options.

Description

This is a very basic starter tutorial for RE:Flex Motion Morph.  You will see a step-by-step on how to setup a motion morph using open and closed splines.  After Effects 2024 was used to create this tutorial.

Timestamps:

Intro

00:00 - 00:58

Get Started

00:59 - 02:13

Lining Up

02:14 - 04:06

Pre-Compose

04:07 - 04:36

Apply RE:Flex Motion Morph

04:37 - 05:33

Setting Global Warp & Blend

05:33 - 06:12

Setting up Splines (Masks)

06:13 - 13:19

Auto Align & Smart Blend

13:19 - 13:41

Re-Cap/Conclusion

13:42 - 14:40

Description

This is an example of another method besides using Render Effects, to have smooth editing with high resolution files.  We use proxy mode with Twixtor so you can dynamically change the video speed with our tools without pre-rendering previews every time, while editing.

**Note: One reason we use proxies here is that the footage is 4K and Twixtor is not a real-time effect in Premiere, so at 4K, you might have non-responsive playback even with GPU on.

Description

In this tutorial, we will see a quick workaround.  In the latest version of Premiere, they added Auto-Tone Map Media which is a check box in the sequence settings, and it is checked on by default.  We will see a workaround for this issue.

Description

In this tutorial, we will see four examples using Fieldskit to handle 3:2 pulldown and for converting Interlaced to Progressive footage in Premiere Pro.

Thank you to Travis Scott for the footage used for 3:2 Pulldown example and to Doug Palmer (www.PalmerMedia.net) for the footage used for the Interlaced to Progressive footage examples.

Description

In this tutorial, we will see an example of our plugin, REZup Resize in FCP.

We see a workflow example since it is slightly different than the OFX example we saw in the first tutorial.  This is an addendum to the REZup Overview tutorial, so make sure to watch that one first.  

REZup Resize will allow you to upscale your video without loss of quality.
*To see Before/After results in detail please check the gallery. 

Description

This tutorial follows our first Instancer generator video, which goes over basic principles and concepts: https://youtu.be/krqa6o4eyYk

In this tutorial, we’ll use the Instancer generator again with a Stroke generator as a Template to create dozens of colored bands:

0:00 Intro

0:23 Animating the initial stroke

1:58 Connecting to the Instancer

2:55 Stroke distribution

3:44 Color variation

4:24 Rotating instances

4:50 Time offset

5:40 Animating strokes

6:52 Adding animated text

8:55 Blending modes

9:19 Conclusion

Description

In this first tutorial, we'll go over Autograph's interface and main principles:

0:00 Intro

0:28 Interface

1:03 Importing graphic elements

2:12 Adding a composition and managing the format

3:41 How to use the Viewer

6:08 Adding layers in the Stack and managing parameters

7:45 Autograph's coordinate system

8:25 Transformation Widget

12:30 Reformatting using the Reader

14:06 Display mode of multidimensional parameters

15:58 Inspecting channels

17:00 Visual Stack and overlays

18:03 Animating layers with keyframes

21:34 Copying keyframes and links between parameters

23:12 Adding Modifiers

24:21 Graph Editor and interpolation types

25:36 Linking parameters

26:45 Layer motion blur

29:00 Replacing a Source

30:44 Adding a generator

32:09 Navigating the Properties Panel

32:44 Gradient parameters

33:40 Adding an image Modifier

35:32 Other types of Modifiers

37:10 Infinite space and time

37:42 Opacity and blending modes

38:40 Animating using the Animator modifier

40:30 Managing Time Offset

42:00 Conclusion