Description

A series of tutorials using the RE:Lens plug-ins

Tutorials

1. RE:Lens and Fisheye 2025 »
2. RE:Lens Defish and Superfish »
3. Motion Graphics and RE:Lens »
4. Tracking, Fisheye lenses and RE:Lens »
5. RE:Lens - Stabilizing 360 VR footage »
6. RE:Lens Project Example - Tips and Tricks »
7. Using 360 Video as a second camera »
8. RE:Lens in Scratch - Part 1 »
9. RE:Lens in Scratch - Part 2 »
10. RE:Lens - Shoot now, do the camera work later »
11. RE:Lens - Advanced Stabilization Tips »
12. RE:Lens Working with 360 Virtual Sets »
13. Uploading 360 Video to YouTube, Facebook and other players »
14. Premiere Pro to After Effects Workflow »
15. RE:Lens for FCPX - Converting fisheye footage to 360 »
16. RE:Lens - Stabilizing 360 VR in FCPX tutorial »
17. Resolve - Handling Clips with different Input and Output size »
18. Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions »
19. How to make a perfect stabilization VR 360 Hyperlapse video »
20. Unwrapping iZugar MKX200 3.8mm fisheye with RE:Lens »
21. Handling clips with different Input and Output sizes within Flame »

Description

Shoot with super-wide fisheye lenses and animate orientation, stabilize and zoom (focal length) using RE:Lens Superfish with very high res video.Great for narrow places, non-scripted, non-predictable shoots and extra POV wide-angle cameras, PTZ in post. *Resolve tends to change a lot, version used:  v.20.2.3

Cameras used:Ex. 1 - Canon c500 with the HAL 220 lensEx. 2 - Panasonic GH5 + Entaniya 250° lensEx. 3 - RED Monstro camera with a HAL 200 6.0mmEx. 4 - Sony Mirrorless camera with HAL 200