Description

RE:Flex for After Effects

Tutorials

1. RE:Flex Moving Morph Step-by-Step »
2. RE:Flex Warper Basics in AE - part 1 »
3. RE:Flex Warper Basics in AE - part 2 »
4. RE:Flex Warp Moving Imagery in AE »
5. RE:Flex Morph Still-To-Still in AE »
6. RE:Flex for AE - Morph using Varying Dissolve Rates »
7. RE:Flex for AE - Cross Morphed Dissolves »
8. RE:Flex Morph - Morphing between moving images »
9. RE:Flex for AE - Morphing in layers for better results »
10. RE:Flex for AE - Morph with Auto Align and Smart Blend »
11. RE:Flex for AE - Morphing to replace missing frames »
12. RE:Flex for AE - Creating Seamless Transitions »
13. Using RE:Flex Warp with Mocha’s tracking of open splines »
14. RE:Flex - Moving Morph:Morphing between Moving Images - ex.2 »
15. RE:Flex for AE - Moving Morph using per-spline blending and warping controls »

Description

This is a very basic starter tutorial for RE:Flex Motion Morph.  You will see a step-by-step on how to setup a motion morph using open and closed splines.  After Effects 2024 was used to create this tutorial.

Timestamps:

Intro

00:00 - 00:58

Get Started

00:59 - 02:13

Lining Up

02:14 - 04:06

Pre-Compose

04:07 - 04:36

Apply RE:Flex Motion Morph

04:37 - 05:33

Setting Global Warp & Blend

05:33 - 06:12

Setting up Splines (Masks)

06:13 - 13:19

Auto Align & Smart Blend

13:19 - 13:41

Re-Cap/Conclusion

13:42 - 14:40

Description

This screencast takes the Moving Morph a step further, explaining how to vary the splines dissolve rates and also how to use the Control Image to fine tune your results.
Special Thanks to credit Amy Seiwert's Imagery ( http://www.asimagery.org ) for providing footage for this tutorial.

Description

In this tutorial, you will learn the basic steps needed to create a morph between moving images.

Special Thanks to credit Amy Seiwert's Imagery ( http://www.asimagery.org ) for providing footage for this tutorial.

Description

In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.

13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.

RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After Effects

Description

In this tutorial, Mary Poplin shows how to use Mocha to speed the process tracking of important features of a model’s face.  The tracked splines are then used with RE:Flex Warp to make the model a bit thinner.  A similar technique could be employed that used Mocha to track two sequences and import the open splines for use with RE:Flex Motion Morph for tracking assistance when producing a morph on two moving sequences.

Description

This lesson explains how to use Motion Morph to create a seamless loop in After Effects.

** You can find additional and/or newer tutorials for RE:Flex in AE here: https://help.revisionfx.com/album/24/

Description

This lesson explains how to use Motion Morph to morph between two moving sequences in After Effects.

** You can find additional and/or newer tutorials for RE:Flex in AE here: https://help.revisionfx.com/album/24/

Description

This lesson explains how to morph to create a seamless transition to replace missing frames when using RE:Flex Morph in After Effects.

A special thank you goes out to Michael Britt (www.imagemechanics.com) for providing source material for this tutorial.

** You can find additional and/or newer tutorials for RE:Flex in AE here: https://help.revisionfx.com/album/24/

Description

This lesson shows two examples of using the features "Auto Align" and "Smart Blend" options to get faster and easier results when morphing in After Effects.

A special thank you goes out to Michael Britt (www.imagemechanics.com) for providing source material for this tutorial.

** You can find additional and/or newer tutorials for RE:Flex in AE here: https://help.revisionfx.com/album/24/