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Tutorials

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  • Saving Effects Presets in FCPX

    Link
    Description

    In this tutorial, you will learn the basics for saving effects presets in FCPX.  For more detailed info:
    https://support.apple.com/kb/PH20831?locale=en_US
    In this tutorial, you will learn the basics for saving effects presets in FCPX.  For more detailed info:Effects Presets

    This Tutorial Includes
    • Video
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  • Premiere Pro to After Effects Workflow

    Link
    Description

     

    In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

    In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

     

    This Tutorial Includes
    • Video
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  • RE:Lens - Stabilizing 360 VR in FCPX tutorial

    Link
    Description

     

    In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens in FCP X.

    In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens in FCP X.

     

    This Tutorial Includes
    • Video
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  • RE:Lens for FCPX - Converting fisheye footage to 360

    Link
    Description

     

    In this tutorial, we will use RE:Lens in FCP X to directly convert 280 degree fisheye footage, to latitude longitude panoramic format suitable for 360 video viewers.

    In this tutorial, we will use RE:Lens in FCP X to directly convert 280 degree fisheye footage, to latitude longitude panoramic format suitable for 360 video viewers.

     

    This Tutorial Includes
    • Video
    See Tutorial
  • RE:Lens - Shoot now, do the camera work later

    Link
    Description

     

    In this tutorial, we will use the RE:Lens Superfish plugin, to animate the camera in post and show two examples.   
    camera used: Modified GoPro camera with the Entanyia fisheye lens by Entapano 

     

    In this tutorial, we will use the RE:Lens Superfish and the From Latlong plugin, to animate the camera in post and show two examples.   


    camera used: Modified GoPro camera with the Entanyia fisheye lens by Entapano 

    This Tutorial Includes
    • Video
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  • DEFlicker HighSpeed Footage in Premiere

    Link
    Description

     

    In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.
    credits:
    camera used: Panasonic GH5 1080P at 180 FPS 
    Source footage provided by Chris Farro 
    Instagram | @chrisfarro
    YouTube | youtube.com/ChristopherFarro

     

    In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.


    credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarro

    This Tutorial Includes
    • Video
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  • RE:Lens in Scratch - Part 2

    Link
    Description

    In this tutorial, we will use the RE:Lens plugin, in Scratch by ASSIMILATE and see how to stabilize footage in post on Super fisheye footage with the Spherical Stabilizer. 
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/RELens/
    In this tutorial, we will use the RE:Lens plugin, in Scratch by ASSIMILATE and see how to stabilize footage in post on Super fisheye footage with the Spherical Stabilizer. 

    This Tutorial Includes
    • Video
    See Tutorial
  • RE:Lens in Scratch - Part 1

    Link
    Description

     

    RE:Lens:RE:Lens in Scratch - Part 1
    Product: RE:Lens
    Host used for tutorial: Scratch
    Description:
    In this tutorial, we will use the RE:Lens plugin, in Scratch by assimilate and see how to animate a camera move in post on Super fisheye footage. 
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/RELens

    In this tutorial, we will use RE:Lens in Scratch by ASSIMILATE and see how to animate a camera move in post on fisheye footage sources.  The source material was shot with Panasonic GH5 in Photo6K mode using Entapano 250 deg. superfish lens. The host used here is Scratch as it supports mp4 video files over 4K  which is what the GH5 records in that 18 MP recording mode.

    *Note at 06:21, I said "horizontally" but I meant "vertically".

    This Tutorial Includes
    • Video
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  • Using 360 Video as a second camera

    Link
    Description

     

    In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.
    Camera used:GoPro Omni 360, GoPro Karma drone
    Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.
    Special Thanks to credit Camera tech: Andrew Ganzon

    In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.


    Camera used:GoPro Omni 360, GoPro Karma drone

    Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

    Camera tech: Andrew Ganzon

     

    This Tutorial Includes
    • Video
    See Tutorial
  • RE:Flex for AE - Moving Morph using per-spline blending and warping controls

    Link
    Description

     

    This screencast takes the Moving Morph a step further, explaining how to vary the splines dissolve rates and also how to use the Control Image to fine tune your results.
    Special Thanks to credit Amy Seiwert's Imagery ( http://www.asimagery.org ) for providing footage for this tutorial.

    This screencast takes the Moving Morph a step further, explaining how to vary the splines dissolve rates and also how to use the Control Image to fine tune your results.
    Special Thanks to credit Amy Seiwert's Imagery ( http://www.asimagery.org ) for providing footage for this tutorial.

     

    This Tutorial Includes
    • Video
    See Tutorial
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