Description

This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

Description

 

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.

Description

This Tutorial explains when it is appropriate to use Smart Blend and shows regular Twixtor with Inverse and with Forward Warping and compares a panning shot slowed down 10x with and without Smart Blend

 

Special Thanks to Mark Tekushan for allowing us to use the beach footage. www.mfxs.com 

 

Description

This Tutorial explains how to use Motion Sensitivity to avoid unwanted warping in your re-timed shot.

Description

This tutorial shows how to use DE:Noise. It continues where the "Essentials" tutorial left off. This tutorial covers some of the more advanced settings to remove unwanted noise from your footage and gives examples so you can easily apply them to similar scenarios. The controls are the same in all supported applications except where I note differences.

Special Thanks to (in order of appearance) for providing and/or allowing us to use their footage for this tutorial: (1) Mark Tekushan for the Noisy Blue screen footage www.markfx.com (2) Sean Wheeler & Zander Schloss for allowing us to use the footage I shot of them playing www.facebook.com/SeanWheelerandZanderSchloss (3) Grant Davis www.vjculture.com (4) Jim Tierney for his whale footage www.whalewatcher.net (5) Michael Sayag for his black & white footage (6) AlFredo from BLT in Italy for the Italian Car footage www.blt.itt

Description

This is a four-part tutorial about adding motion blur to a Maya render by first creating a 2D motion vector sequence and then using it with ReelSmart Motion Blur in post production. I’ll be covering Maya 2009’s 2D motion vector pass as well as installation and use of the lm_2DMV shader for earlier Maya versions. Once this technique is part of your pipeline, it can be a tremendous time saver compared with creating (and waiting for) motion blur from within Maya. It also provides the flexibility of applying any amount of motion blur without having to re-render.

Description

In this tutorial from Motion Works, Grischa Theissen demonstrates a must-know technique for adding motion blur to your 3D renders in After Effects using ReelSmart Motion Blur.   

Description

This tutorial shows how to use DE:Noise.  It covers the essential settings to remove unwanted noise from your footage and gives examples so you can easily apply them to similar scenarios. The controls are the same in all supported applications.

Special Thanks to Michael Sayag for allowing us to use his black & white footage for this tutorial. We would also like to thank Ami Sun for the additional footage used for this tutorial 

Description

Description

This is a Sales support tutorial explaining M1 and Rosetta 2.

*Note: There is a small typo at 00:20. It is x86-64  not x64-86