Description

A series of tutorials using the RE:Lens plug-ins

Tutorials

1. RE:Lens and Fisheye 2025 »
2. RE:Lens Defish and Superfish »
3. Motion Graphics and RE:Lens »
4. Tracking, Fisheye lenses and RE:Lens »
5. RE:Lens - Stabilizing 360 VR footage »
6. RE:Lens Project Example - Tips and Tricks »
7. Using 360 Video as a second camera »
8. RE:Lens in Scratch - Part 1 »
9. RE:Lens in Scratch - Part 2 »
10. RE:Lens - Shoot now, do the camera work later »
11. RE:Lens - Advanced Stabilization Tips »
12. RE:Lens Working with 360 Virtual Sets »
13. Uploading 360 Video to YouTube, Facebook and other players »
14. Premiere Pro to After Effects Workflow »
15. RE:Lens for FCPX - Converting fisheye footage to 360 »
16. RE:Lens - Stabilizing 360 VR in FCPX tutorial »
17. Resolve - Handling Clips with different Input and Output size »
18. Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions »
19. How to make a perfect stabilization VR 360 Hyperlapse video »
20. Unwrapping iZugar MKX200 3.8mm fisheye with RE:Lens »
21. Handling clips with different Input and Output sizes within Flame »

Description

Collaboration tutorial with Darran H. Thompson (aka footslogger) reviewing the receipe for getting the look that he likes with ARRI Film Lab and EmotiveColor's 3DLUTs and the 2499 DRT Process.
Links and references mentioned in this tutorial:
https://www.youtube.com/@footslogger_ni
https://shop.panasonic.com/products/lumix-upgrade-software-key-dmw-sfu3a
https://www.emotivecolor.com/
https://blog.frame.io/2024/06/10/arri-reveal-color-science-explained/
https://www.arri.com/en/learn-help/learn-help-camera-system/image-science/color-faq

Description

Shoot with super-wide fisheye lenses and animate orientation, stabilize and zoom (focal length) using RE:Lens Superfish with very high res video.Great for narrow places, non-scripted, non-predictable shoots and extra POV wide-angle cameras, PTZ in post. *Resolve tends to change a lot, version used:  v.20.2.3

Cameras used:Ex. 1 - Canon c500 with the HAL 220 lensEx. 2 - Panasonic GH5 + Entaniya 250° lensEx. 3 - RED Monstro camera with a HAL 200 6.0mmEx. 4 - Sony Mirrorless camera with HAL 200 

Description

In this tutorial we will see how to use Color Genius plug-in version.  This was created in Resolve but can be applied to any other host application.

Description

Timestamps:

0:14 What is REZup?

0:52 REZup Resize Workflow in After Effects.

1:07 Example #1 - Scaling HD to UHD using REZup Resize.

5:07 Example #2 - OFX Workflow using Autograph.

6:56 Example #3 - REZup Enhance in After Effects.

Description:In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.REZup Enhance will increase your image quality.  See new details that you did not know were available.  REZup Resize will allow you to upscale your video without loss of quality.
*To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezup

Description

Tutorial describing how to set up V-Ray Velocity pass with RSMB in After Effects and Nuke.

Thank you to Aleksandar Kasabov at Chaos Group for this tutorial.  

Description

Description

In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e

Description

In this tutorial, you will learn the basic steps for using DEFlicker Rolling Bands in After Effects.  You will see a few examples demonstrating different scenarios.

06:56

See these links to learn more about wagon wheel effect: 
https://www.youtube.com/watchv=VNftf5qLpiA

https://www.youtube.com/watch?v=QOwzkND_ooU

https://www.youtube.com/watch?v=6XwgbHjRo30

https://www.youtube.com/watch?v=9MN5MF72PHs

Thank you to Anita Rizzano for the Rolling Bands footage.

Description