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DE:Noise
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SmoothKit
Twixtor
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Our Plugins in Scratch
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Tutorials for our plugins in Scratch by Assimilate
Tutorials
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RE:Vision Effects Plugins in Baselight
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In this tutorial, you will see the how to apply OFX plugins in Baselight using DEFlicker for temporal processing effect and RE:Match Stereo for an example of using two input sources...
This Tutorial Includes
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Scratch & Plugins
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How to use plugins and create basic composites using the node tree on scratch v9.
Tutorial by Assimilate
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RE:Grade and Timelapse
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In this tutorial, you will see a few examples showing different methods of using REGrade to color correct a Time-lapse shot.
Description:In this tutorial, you will see a few examples showing different methods of using REGrade to color correct a Time-lapse shot.Timestamps:00:36 See steps to fixed washed out timelapse footage00:41 Adding RE:Grade Contrast00:56 Fine tuning and adjusting parameters in RE:Grade ContrastMusic: YouTube Audio Library (Virtual Light - Houses of Heaven)Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/REGrade/In this tutorial, you will see a few examples showing different methods of using REGrade to color correct a Time-lapse shot.Music: YouTube Audio Library (Virtual Light - Houses of Heaven)This Tutorial Includes
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MV out of Maya with Arnold
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Maya now ships with Arnold as renderer. This tutorial reviews the motion vector shader they made to support our products.
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- Web Pages
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How to make a perfect stabilization VR 360 Hyperlapse video
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Andrii Shramko demos a useful feature in RE:Lens spherical stabilizer allowing you to handle real hard shots by masking areas of the source. You can also use this feature on fisheye stabilization where there is moving junk (light flares and leaks) outside of the image circle that affects the tracking, as well as in stitched videos where a camera is moving indepedently from the rest of the rig (which confuses any tracker).
https://www.facebook.com/shramko360/This Tutorial Includes
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Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions
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In this tutorial, you will learn the basic steps needed to use RE:Lens in Scratch by assimilate when the input and output have different resolutions.*Note: This tutorial is for Scratch version 9 and higher. For earlier versions of Scratch, please watch this tutorial. https://www.youtube.com/watch?v=YNGI2t0ieAs&list=PLJZE0COAfWUWCBFFdWbEyV1YIgZr9jiu3&index=5&t=2sIn this tutorial, you will learn the basic steps needed to use RE:Lens in Scratch by assimilate when the input and output have different resolutions.*Note: This tutorial is for Scratch version 9 and higher. For earlier versions of Scratch, please watch this tutorial. Earlier versions
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Resolve - Handling Clips with different Input and Output size
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In this tutorial we will see two examples of how to input footage at one size and output at another size in Resolve with the RE:Vision Effects RE:Lens plugin.
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Resolve Tutorial 3 - Handling Multiple Clips
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In this tutorial, you will see six examples using REMatch with multiple clips. In addition, you will see how to apply presets to clips (in this case we used RSMB and DE:Noise but you can use any plugins).Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/REMatch/Music: Awaken by Mrpetelee Rzd5 | https://soundcloud.com/mrpeteleerzd5officialMusic promoted by https://www.free-stock-music.comSurfer footage by: Jaime Fernández Miranda. http://jim-box.com/In this tutorial, you will see six examples using REMatch with multiple clips. In addition, you will see how to apply presets to clips (in this case we used RSMB and DE:Noise but you can use any plugins).
Music: Awaken by Mrpetelee Rzd5 | https://soundcloud.com/mrpeteleerzd5officialMusic promoted by https://www.free-stock-music.com
Surfer footage by: Jaime Fernández Miranda.This Tutorial Includes
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RE:Vision plugins in Resolve 2: Twixtor
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In this tutorial, you will learn the basics of how to use the Twixtor plugin within Resolve. You will see when to use which page for which effect.
This Tutorial Includes
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