Description

A series of tutorials using the RE:Lens plug-ins

Tutorials

1. Uploading 360 Video to YouTube, Facebook and other players »
2. RE:Lens Working with 360 Virtual Sets »
3. Motion Graphics and RE:Lens »
4. RE:Lens Defish and Superfish »
5. Tracking, Fisheye lenses and RE:Lens »
6. RE:Lens - Stabilizing 360 VR footage »
7. RE:Lens Project Example - Tips and Tricks »
8. Using 360 Video as a second camera »
9. Setting up our plug-ins in Scratch when input and output resolution are different »
10. RE:Lens - Advanced Stabilization Tips »
11. RE:Lens in Scratch - Part 1 »
12. RE:Lens in Scratch - Part 2 »
13. RE:Lens - Shoot now, do the camera work later »
14. RE:Lens for FCPX - Converting fisheye footage to 360 »
15. RE:Lens - Stabilizing 360 VR in FCPX tutorial »
16. Premiere Pro to After Effects Workflow »

Description

In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

Description

In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens in FCP X.

Description

In this tutorial, we will use RE:Lens in FCP X to directly convert 280 degree fisheye footage, to latitude longitude panoramic format suitable for 360 video viewers.

Description

In this tutorial, we will use the RE:Lens Superfish and the From Latlong plugin, to animate the camera in post and show two examples.   

camera used: Modified GoPro camera with the Entanyia fisheye lens by Entapano 

Description

In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.

credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarro

Description

Description

In this tutorial, we will use RE:Lens in Scratch by ASSIMILATE and see how to animate a camera move in post on fisheye footage sources.  The source material was shot with Panasonic GH5 in Photo6K mode using Entapano 250 deg. superfish lens. The host used here is Scratch as it supports mp4 video files over 4K  which is what the GH5 records in that 18 MP recording mode.

*Note at 06:21, I said "horizontally" but I meant "vertically".

Description

In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.

Camera used:GoPro Omni 360, GoPro Karma drone

Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

Camera tech: Andrew Ganzon

Description

This screencast takes the Moving Morph a step further, explaining how to vary the splines dissolve rates and also how to use the Control Image to fine tune your results.
Special Thanks to credit Amy Seiwert's Imagery ( http://www.asimagery.org ) for providing footage for this tutorial.