Description

A series of tutorials for RE:Grade

Tutorials

1. Color LUT in RE:Grade Basics »
2. RE:Grade and Timelapse »
3. More than one way to blend - RE:Grade HDR Merge - Part 1 »
4. More than one way to blend - RE:Grade HDR Merge Part 2 »

Description

Arnold Motion Vectors settings for our tools with example using After Effects.
This was done with Arnold in Maya but settings should be the same with Arnold in C4D, 3DS Max, Houdini etc...

Description

 

In this tutorial, we use both After Effects and Premiere Pro. We use Adobe Media Encoder, Premiere Export and AE Render Queue. This tutorial will help you, if you need to prepare motion graphics alone or combined with live action and deliver your results in 1080i.  We see two different workflows.

 

Description

In this tutorial, we discuss some variables that can affect rendering speed given the new context of Multi-Frame Rendering.

**This tutorial uses After Effects 18 public beta, the methods we describe are subject to change.
**Note: Known issue, if you see artifacts on certain systems with dual GPU, note that to benefit from 2 or more GPU with our tools you might need to turn off the Hardware acceleration checkbox in Import Preferences. Also Note: Preferences are not carried over with project settings if you render on a different machine.

Description

 

This tutorial explains what to do if you are using Video Gogh and working with a version of After Effects that has the ability to do Multi-Frame Rendering.

 

**This tutorial uses After Effects v22 public beta, the method we describe is subject to change.

Description

 

 

In this tutorial, we will see a quick tip on how to speed up interactivity within Fusion, while using RE:Flex Warp.

Author:   Lori Freitag

Footage provided by: Anthony Magliocco www.emtminfo.com

Description

 

In this tutorial, we will discuss a new accelerated workflow for motion graphics that has been developed in the last decade where 3D departments build motion graphics packages that can be used and reused just by changing out a few elements and re-rendering within the compositing software instead of the 3D package.  You can go to the timestamp for the application that you are interested in for After Effects, Resolve Fusion or Autodesk Flame.

Timestamps:

0:00  Intro

0:52  Link to tutorial using C4D https://help.revisionfx.com/tutorial/150/ 

and part 2: https://help.revisionfx.com/search/?p=73

1:43  Prepping in Maya using the Arnold Renderer.

3:39  Compositing in AE using Cryptomatte and RE:Map UV

6:55  Compositing in Resolve Fusion using Cryptomatte and RE:Map UV

10:13 Compositing in Autodesk Flame using Cryptomatte and RE:Map UV

*You can go directly to Timestamps in YouTube

Author: Lori Freitag & Sebastian Bugna

Description

0:22  Licensing options

1:03  What if you need to deactivate Non-Floating license keys if you want to transfer from one machine to another?

1:55  What are Floating Licenses?

3:30  Interactive GUI vs. Render only - for more information https://helpx.adobe.com/after-effects/user-guide.html/after-effects/using/automated-rendering-network-rendering.ug.html  

4:36  What works in which application?

5:20  Special cases: Fusion and Flame

5:39  What about version mismatches?

6:47  Do we offer discounts or sales?

7:27 Newsletter sign-up link: https://visitor.r20.constantcontact.com/manage/optin?v=001S9i1fVV620XU-v1tU_F25ypW09daZBO8ePExKTm0SH1HOdR-4u53NX7d1LBVFkjf29efetX76CxPoWvC4hdZqh-vQpYRohUXI7UAEryV5gY%3D

Description

In this tutorial, will see how FieldsKit can help deinterlace your interlaced footage in order to upload to online, social media platforms and what tools we have for great results.

Description

In this tutorial, will see how to handle clips with different input and output sizes using Batch in Flame with a RE:Lens plugin.