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Scratch 
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Our Plugins in Scratch
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Tutorials for our plugins in Scratch by Assimilate
Tutorials
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Scratch & Plugins
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How to use plugins and create basic composites using the node tree on scratch v9.
Tutorial by Assimilate
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MV out of Maya with Arnold
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Maya now ships with Arnold as renderer. This tutorial reviews the motion vector shader they made to support our products.
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Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions
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In this tutorial, you will learn the basic steps needed to use RE:Lens in Scratch by assimilate when the input and output have different resolutions.*Note: This tutorial is for Scratch version 9 and higher. For earlier versions of Scratch, please watch this tutorial. https://www.youtube.com/watch?v=YNGI2t0ieAs&list=PLJZE0COAfWUWCBFFdWbEyV1YIgZr9jiu3&index=5&t=2sIn this tutorial, you will learn the basic steps needed to use RE:Lens in Scratch by assimilate when the input and output have different resolutions.*Note: This tutorial is for Scratch version 9 and higher. For earlier versions of Scratch, please watch this tutorial. Earlier versions
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RE:Lens in Scratch - Part 2
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In this tutorial, we will use the RE:Lens plugin, in Scratch by ASSIMILATE and see how to stabilize footage in post on Super fisheye footage with the Spherical Stabilizer.Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/RELens/In this tutorial, we will use the RE:Lens plugin, in Scratch by ASSIMILATE and see how to stabilize footage in post on Super fisheye footage with the Spherical Stabilizer.This Tutorial Includes
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RE:Lens in Scratch - Part 1
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RE:Lens:RE:Lens in Scratch - Part 1Product: RE:LensHost used for tutorial: ScratchDescription:In this tutorial, we will use the RE:Lens plugin, in Scratch by assimilate and see how to animate a camera move in post on Super fisheye footage.Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/RELensIn this tutorial, we will use RE:Lens in Scratch by ASSIMILATE and see how to animate a camera move in post on fisheye footage sources. The source material was shot with Panasonic GH5 in Photo6K mode using Entapano 250 deg. superfish lens. The host used here is Scratch as it supports mp4 video files over 4K which is what the GH5 records in that 18 MP recording mode.
*Note at 06:21, I said "horizontally" but I meant "vertically".
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Setting up our plug-ins in Scratch when input and output resolution are different
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In this tutorial, you will learn the basic steps needed to use RE:Lens in Scratch by assimilate when the input and output have different resolutions.In this tutorial, you will learn the basic steps needed to use RE:Lens in Scratch by assimilate when the input and output have different resolutions.This Tutorial Includes
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Using Reel Smart Motion Blur with modo 701 outputs in Nuke & After Effects
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the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here9bstudios.com/modo70x/CrazyChicken.zipA video covering the use of Reel Smart Motion Blur to add motion blur to your images in the post process via the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here 9bstudios.com/modo70x/CrazyChicken.zip
Special Thanks to Yazan Malkosh 9bstudios.com for providing us with this tutorial. The 3D renderer is Modo luxology.com
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Twixtor: When and How to use Tracking Points
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This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.
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Better Retiming using a Matte
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This Tutorial shows how to get better tracking using a matte to separate your footage into multiple layers. Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/twixtor/This Tutorial shows how to get better tracking using a matte to separate your footage into multiple layers. Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.
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