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Latest Tutorials
RE:Lens and Fisheye 2025
Updated
Our Plugins in Mistika Boutique
Updated
Working with LatLong Projections in RE:Lens
Updated
Shooting Log - ARRI Film Lab and other cameras
Updated
Premiere Pro - Keyframe Editor in Twixtor Pro
Updated
REZup in Resolve
Updated
The Making of the Airbnb Promo
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Using Twixtor in Resolve Fusion
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How to use Color Genius plug-in version
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Twixtor in Motion
Updated
RE:Flex Moving Morph Step-by-Step
Updated
Premiere Pro - Proxy Workflow Tips and Our Plug-Ins
Updated
Latest Albums
Autograph
Updated
RE:Grade
Updated
RE:Fill in AE and Premiere
Updated
Our Plugins in Flame
A set of tutorials for our plugins in Flame
Updated
Our Plugins in Scratch
Updated
Our Plugins in Resolve
Updated
Latest Tasks
Sales Support
Updated
AE and Multi-Frame Rendering
Updated
Looks
This album collects different looks
Updated
UV Maps
How to create UV maps
Updated
Motion Vectors
This set of Tutorials addresses Motion Vectors, what they mean, how to render them.
Updated
RE:Lens and Fisheye 2025
Updated
Our Plugins in Mistika Boutique
Updated
Working with LatLong Projections in RE:Lens
Updated
Shooting Log - ARRI Film Lab and other cameras
Updated
Premiere Pro - Keyframe Editor in Twixtor Pro
Updated
REZup in Resolve
Updated
The Making of the Airbnb Promo
Updated
Using Twixtor in Resolve Fusion
Updated
How to use Color Genius plug-in version
Updated
Twixtor in Motion
Updated
RE:Flex Moving Morph Step-by-Step
Updated
Premiere Pro - Proxy Workflow Tips and Our Plug-Ins
Updated
Workaround for Premiere Color Shift Issue
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Fieldskit in Premiere Pro - 3:2 pulldown & Converting Interlaced to Progressive
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REZup - Resize workflow in FCP
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Instancer: Creating an Animated Rainbow Transition
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Autograph: Getting Started
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Instancer: Basic Principles and Concepts
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REZup Overview - Resize & Enhance Product: REZup
REZup Overview - Resize & Enhance
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Twixtor in Autograph
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Getting started in Autograph-Using our plugins
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RSMB Pro - Mattes and Track Points
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RE: Vision plugins in Resolve - Workarounds
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M1 and Rosetta 2
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Managing your account - Moving a key-based license
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AE and MFR - Check your memory
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AE and MFR - Real Basics
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How to use V-Ray Velocity pass with RSMB
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RE:Fill Added Features
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Arnold Motion Vectors Settings
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Video Fields for Millennials - Gen Alpha's
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Multi-Frame Rendering - Variables that affect processing time
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Multi-Frame Rendering and Video Gogh
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Quick Tip Tutorial - Fusion and RE:Flex
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RE:Map, Cryptomatte and Reusable 3D Renders
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RE:Vision Effects Licensing Overview
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FieldsKit and Premiere Pro
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Handling clips with different Input and Output sizes within Flame
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Twixtor, Time Remapping and Excel
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DEFlicker and Timelapse
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How to remove Rolling Bands with DEFlicker
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Unwrapping iZugar MKX200 3.8mm fisheye with RE:Lens
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Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 2
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Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 1
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Color LUT in RE:Grade Basics
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More than one way to blend - RE:Grade HDR Merge Part 2
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More than one way to blend - RE:Grade HDR Merge - Part 1
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RE:Fill for Better Composites
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Dead pixel, Hot pixel, Stuck pixel removal with RE:Fill
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RE:Flex Morph in Resolve
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Sparks vs. OFX in Flame
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Twixtor in Baselight
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RE:Vision Effects OFX Plugins in Flame and Flame Assist
RE:Vision Effects OFX Plugins in Flame and Flame Assist
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RE:Vision Effects Plugins in Baselight
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Scratch & Plugins
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RE:Grade and Timelapse
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MV out of Maya with Arnold
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How to make a perfect stabilization VR 360 Hyperlapse video
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Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions
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Resolve - Handling Clips with different Input and Output size
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Resolve Tutorial 3 - Handling Multiple Clips
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RE:Vision plugins in Resolve 2: Twixtor
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RE:Vision plugins in Resolve 1: DEFlicker
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Saving Effects Presets in FCPX
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Premiere Pro to After Effects Workflow
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RE:Lens - Stabilizing 360 VR in FCPX tutorial
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RE:Lens for FCPX - Converting fisheye footage to 360
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RE:Lens - Shoot now, do the camera work later
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DEFlicker HighSpeed Footage in Premiere
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RE:Lens in Scratch - Part 2
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RE:Lens in Scratch - Part 1
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Using 360 Video as a second camera
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RE:Flex for AE - Moving Morph using per-spline blending and warping controls
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RE:Flex - Moving Morph:Morphing between Moving Images - ex.2
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Setting up our plug-ins in Scratch when input and output resolution are different
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RE:Lens - Advanced Stabilization Tips
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RE:Lens Project Example - Tips and Tricks
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RE:Lens - Stabilizing 360 VR footage
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Tracking, Fisheye lenses and RE:Lens
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RE:Lens Defish and Superfish
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Motion Graphics and RE:Lens
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RE:Lens Working with 360 Virtual Sets
In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.
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Uploading 360 Video to YouTube, Facebook and other players
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Export UV maps out of 3DS Max or Maya using Mental Ray or V-Ray
How to setup Mental Ray and V-Ray to export UV Maps
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Twixter Overview in Sony Catalyst Edit
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Quick Tip - Setting Color Correction Window
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Lightwave to AE: Deformers and RE:Map
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DEFlicker for Premiere Pro - Best Practices
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Brograph Tutorial 034 - C4D and RSMB Pro Vectors
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Post motion blur using RSMB motion vectors in Nuke from C4D
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DEFlicker for FCP X - Best practices
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HitFilm: Twixtor basics
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HitFilm: RSMB, Effects with two inputs
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Our Plug-Ins in HitFilm - Intro
Our Plug-Ins in HitFilm-Intro
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Twixtor, Particular and RE:Fill create a unique motion-based particle effect
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Using Twixtor and After Effects to retime both audio and video
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Using RE:Flex Warp with Mocha’s tracking of open splines
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“Save our Beaches” – an example using multiple RE:Vision Effects plugins
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RE:Vision FX and Premiere: Frame Rate Conversion and Mixed Formats
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Intro to RE:Match Color in Vegas Pro
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DEFlicker Exploring Features 2
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DEFlicker Intro to Auto Levels
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DEFlicker Exploring Features
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Intro to DEFlicker High Speed
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Intro to DEFlicker Time Lapse
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Our tools with Mocha - Guest appearance by Mask Avenger
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Twixtor Pro - Virtual Camera moves - multi-view interpolation
Multi-view interpolation
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Exporting UV maps out of 3DS Max
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Twixtor Pro Advanced Tools - Masks & Splines
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Using Reel Smart Motion Blur with modo 701 outputs in Nuke & After Effects
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Advanced Twixtor Pro: better results using mattes and splines in After Effects
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RE:Match Non-matching Cameras in Premiere Pro
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Exporting 3D Renders out of C4D for our plugins: Part 2 - More Passes
RE:Vision Effects products with Cinema4D - Part 2
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RE:Vision Effects products with Cinema4D
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Introduction to RE:Match Stereo
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Introduction to RE:Match Color
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Exporting 3d renders out of C4D for our plugins : Part 1 - Motion Vectors and UV Maps
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Lip-Synch with Twixtor in Final Cut Pro X- Key framed alignment of video to audio
Lip-Synch with Twixtor in Final Cut Pro X- Key framed alignment of video to audio.
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Frame Rate Conversions in Twixtor within Premiere Pro (done in CS5)
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Frame Rate Conversions in Twixtor within FCP X
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RE:Map UVW Multipass
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Twixtor: SpeedRamp & Fit-to-Fill in FCP X
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Twixtor Overview in FCP X
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RSMB Vectors from C4D to AE
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Twixtor Pro: Better Retiming using a Matte
Better Retiming using a Matte
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Twixtor Pro: When and How to use Tracking Points
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Twixtor: When and How to use Tracking Points
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Better Retiming using a Matte
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Twixtor in Avid MC: Frame Rate Conversions
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Twixtor in Avid MC: Progressive to Interlaced and Vice Versa
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Twixtor Basics in Avid Media Composer
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Twixtor - Working with Edits in Vegas Pro
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Frame Edge Issues and Twixtor
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Twixtor - Fixing Unwanted Warping
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Frames Rates & DeInterlacing in Vegas Pro
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Red/Blue frames & Pan/Crop in Vegas Pro
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Twixtor Basics in Vegas Pro
This tutorial shows The Basics on how to use Twixtor in Vegas Pro. It covers the basic retiming concepts as well as animating keyframes.
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DE:Noise - Beyond the Basics
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RSMB for Maya users
four-part tutorial about adding motion blur to a Maya render by Jake Dean
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RSMB for CInema 4D users
Tutorial about Motion Blur for Cinema 4D users
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DE:Noise - Essential Info
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Twixtor in Smoke
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Marking Edit Points with Twixtor in FCP
This Tutorial shows how to mark segments in an edit in order to avoid warping across edits when speeding up or slowing down the overall edit.
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RE:Flex for AE - Creating Seamless Transitions
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RE:Flex Morph - Morphing between moving images
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RE:Flex for AE - Morphing to replace missing frames
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RE:Flex for AE - Morph with Auto Align and Smart Blend
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Twixtor 5 for Fusion
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RE:Flex for AE - Morphing in layers for better results
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RE:Flex for AE - Cross Morphed Dissolves
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RE:Flex for AE - Morph using Varying Dissolve Rates
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RE:Flex Morph Still-To-Still in AE
This screencast covers the basics on morphing between still images within After Effects.
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RE:Flex Warp Moving Imagery in AE
This screencast covers the basics of setting up a warp using open and closed splines on moving imagery within After Effects.
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RE:Flex Warper Basics in AE - part 2
This screencast covers the basics on how to set up a simple warp using multiple open splines within After Effects. It is part 2 of 2 (part 1 covers a closed spline).
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RE:Flex Warper Basics in AE - part 1
This screencast covers the basics on how to set up a simple warp using a closed spline within After Effects in Part 1 and Part 2 covers the basics on how to set up a simple warp using multiple open splines within After Effects.
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Shade/Shape - Latex Letter Example
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Shade/Shape - Movies in Users' Manual
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RSMB 3.0 Tutorial for Autodesk Softimage 7 or later
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RSMB 3.0 Tutorial for Shake
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RSMB 4.0 sample Projects for FCP
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Trackers and RSMB in Fusion
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RSMB 3.0 Tutorial for Fusion 5.01 and up
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RSMB 3.0 Vectors-Tutorial for Sparks
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RSMB Sample Projects for AE compatible apps
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RE:Flex 3 for Shake 4
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RE:Flex 3 for Combustion 4 projects
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RE:Flex for Combustion
Step-by-Step Combustion Tutorial
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RE:Flex 3 for Autodesk (Sparks)
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Trackers and RE:Vision Fusion plugins
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Twixtor 4 for Fusion
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Twixtor for FCE
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How to make video look more like film
How do I use RE:Vision Effects plugins to help make video look more like film?
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How do I get UV rendered images out of my 3D system ?
There are different ways to generate UV Maps (index into texture space).
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How do I perform frame rate conversion in FCP?
This FAQ explains how to perform frame rate conversion within FCP using the FxPlug version of Twixtor.
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How do I get motion vectors out of my 3D system?
Different ways to get Motion Vectors out of a 3D renderer
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I'd like to see the math behind your motion vectors
The Motion Vectors Math
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How is alpha used in your motion vectors?
The need for alpha in motion vectors.
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What is the motion vector format for RE:Vision Effects' products?
Motion Vectors Format Explained
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How La Maison's Mental Ray plugin works with RE:Vision Effects plugins
Mental Ray shader that can be used to output vectors for RE:Vision Effects plugins
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Motion Vectors Out of Maya - video 1 to 4
Motion Vectors out of Maya is a set of 4 tutorials prepared by Arkadiy Demchenko
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Converting NTSC to PAL (or vice-versa) in AE
Step by step NTSC to PAL and vice-versa in After Effects
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RE:Flex 3 Sample Projects
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RE:Flex v4 and v5 Sample Projects
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Handling Twixtor Artifacts in Premiere Pro
Handling Twixtor Artifacts in Premiere Pro product: Twixtor Premiere Pro compatible host used for tutorial: Premiere Pro
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LipSynch with Twixtor in Premiere Pro
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Speed Ramp in Premiere Pro with Twixtor
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Twixtor Overview within Premiere Pro
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Shade/Shape - Rendering Realistic Water Droplets
This post covers a digital video compositing technique for rendering photo-realistic water droplets moving on glass surfaces.
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RE:Map - How to Export UV Maps out of Cinema 4D
A short movie that shows how to export UV maps out of Cinema 4D
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RE:Map Understanding UV Images
Understanding UV images: how to generate and use them with RE:Map (for host apps Modo, Lightwave and Cinema 4D). Provided by Mylenium.
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RE:Map Sample Projects
How to use RE:Map.
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Staircase and aliasing reduction
In this example, we show SmoothKit Staircase Suppress and its ability to reduce "jaggies" without unnecessarily overblurring.
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SmoothKit Diffusion, better median filtering
In this example, we explain how SmoothKit DIffusion works. A specific example is given showing how better median filtering can be accomplished.
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Time lapse streaks
Create super long timelapse-like streaks using ReelSmart Motion Blur and SmoothKit Frame Accumulate.
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Directional Blur using splines
SmoothKit Directional with Splines uses AE's masks or combustion's rotosplines to interactively control the direction of the blur at each pixel.
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Directional Blur
Using SmoothKit Directional you can control the direction of a blur at each pixel independently.
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Depth of Field
In these examples we show how to create depth-of-field effects using SmoothKit ZBlur using color and depth images rendered from a 3D system.
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Vignetting and other per-pixel controlled blurs
SmoothKit's Gaussian filter can be used to control per-pixel blurring and vary the amount of detail on a per-pixel basis.
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Processing footage for a stylized look with SmoothKit
Processing footage for a stylized look with SmoothKit.
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Cleaning up blocky and noisy DV footage
In this tutorial it is our goal to demonstrate how to use SmoothKit to clean up problematic DV footage.
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Blur without blurring over edges
Use SmoothKit's Gaussian Per-Pixel filter to Blur without blurring over the edges
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Animated Impressionism
This tutorial covers a technique for animating paint strokes applied to a still image so that it appears to be a work of impressionistic art.
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A visual example of "Kill immediate if Zero Alpha"
This Tutorial explains when to use the "Kill immediate if Zero Alpha" setting.
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A visual example of birth and death rates
In another example ("Using Video Gogh to create a graphic style") we showed an example of creating some animated flowers.
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Advanced User-Defined Brush Tutorial for Video Gogh
This tutorial expands material provided in the documentation with practical step by step examples on how to set up your own user-defined brushes.
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Using Video Gogh to enhance a graphic style
This tutorial expands material provided in the documentation with practical step by step example on what might be a non-obvious use of Video Gogh that is more graphic in This tutorial expands material provided in the documentation with practical step by step example on what might be a non-obvious use of Video Gogh that is more graphic in nature, and uses custom brushes.
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Using Multiple Layers of Video Gogh
In this tutorial we provide some notes for a more refined effect where you might want to use other effects in combination with Video Gogh. In addition we provide some reasons why you might want to apply Video Gogh in multiple passes
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Twixtor 5 and 6 Sample Projects
Twixtor 5 sample projects (Mac/Windows)
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Frame Rate Conversions in Twixtor within FCP
This Tutorial demonstrates how to do a frame rate conversion from 30fps to 24 fps, and also NTSC to PAL. Note these methods can be used as a base to convert from any progressive source to progressive destination material or interlaced NTSC to PAL frame rates.
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What to do when you get unwanted warping with Twixtor within FCP
What to do when Twixtor produces unwanted warping.
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Lip-Synch with Twixtor in FCP
This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording. This method could also be used to sync video to another video track.
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Frame Edges, Problems and Twixtor within FCP
This Tutorial explains when it is appropriate to use Smart Blend and shows Twixtor and Twixtor Pro with Smart Blend and compares a panning shot slowed down 10x with and without Smart Blend.
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Twixtor, Trimming and Transitions in FCP
This screencast describes a bug that occurs in Final Cut Pro when using Twixtor and how to work around it to do trims and transitions.
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Twixtor for FCP SpeedRamp
This screencast gives an overview of how to use Twixtor within Final Cut Pro, to do a speed ramp using two different methods. You will see an example of the Frame number and Speed option to do a speed ramp in Twixtor.
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Fit to Fill in FCP Using Twixtor
This screencast gives an overview of how to use Twixtor within Final Cut Pro, in order to lengthen or shorten a sequence to fit into a specified gap using the frame number option in Twixtor.
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Twixtor Overview for FCP
This screencast gives an overview of how to use Twixtor within Final Cut Pro, including how to apply Twixtor, how to speed up and slow down using Twixtor, and special considerations needed.
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Better Retiming with Twixtor within FCP
This screencast shows a comparison between the speed tools in FCP and using Twixtor withing FCP. You will see that the Twixtor result is much better.
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What to do when Twixtor produces unwanted warping in AE
This Tutorial explains how to use Motion Sensitivity to avoid unwanted warping in your re-timed shot.
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Frame Edge Problems and Twixtor in AE
This Tutorial explains when it is appropriate to use Smart Blend and shows Twixtor and Twixtor Pro with Smart Blend and compares a panning shot slowed down 10x with and without Smart Blend.
Updated
Frame Rate Conversions with Twixtor in AE
This Tutorial demonstrates how to do a frame rate conversion from 30fps to 24 fps. This tutorial specifically using footage from the Canon 5D Mark II but this method can be applied to any frame rate conversion using Twixtor.
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Marking Edit Points with Twixtor in AE
This Tutorial shows how to mark segments in an edit in order to avoid warping across edits when speeding up or slowing down the overall edit.
Updated
Twixtor 4 sample projects
Twixtor sample projects (download)
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Lip Synching with Twixtor in AE
This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording.
Updated
Speed Ramping with Twixtor in AE
This Tutorial covers the basics on how to do a simple Speed Ramp effect using Twixtor in After Effects.
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Twixtor in AE Overview
This screencast gives an overview of how to use Twixtor within After Effects, including how to apply Twixtor, how to speed up and slow down using Twixtor, and special considerations needed.
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Test Tutorial 1
A test local-only tutorial by Gary
Autograph
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RE:Grade
Updated
RE:Fill in AE and Premiere
Updated
Our Plugins in Flame
A set of tutorials for our plugins in Flame
Updated
Our Plugins in Scratch
Updated
Our Plugins in Resolve
Updated
RE:Lens
Updated
Our Plugins in Sony Catalyst Edit
Updated
DEFlicker
Updated
DEFlicker for Premiere Pro
DE:Flicker for Premiere Pro
Updated
DEFlicker for FCP X
Updated
Our Plugins in HitFilm
A series of tutorials for HitFilm using our products
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Real World Projects
Updated
DEFlicker for AE
DE:Flicker for AE
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RE:Match
Updated
Twixtor for Final Cut Pro X
Updated
Twixtor for Avid Media Composer
Updated
Twixtor for Vegas Pro
Twixtor For Vegas Pro
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DE:Noise
DE:Noise Tutorials
Updated
RE:Flex After Effects
RE:Flex for After Effects
Updated
Twixtor for Premiere Pro Screencasts
Updated
Twixtor for Final Cut Pro Screencasts
Updated
Twixtor After Effects Screencasts
Screencasts for Twixtor on Adobe After Effects
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RE:Match for Vegas Pro
Sales Support
Updated
AE and Multi-Frame Rendering
Updated
Looks
This album collects different looks
Updated
UV Maps
How to create UV maps
Updated
Motion Vectors
This set of Tutorials addresses Motion Vectors, what they mean, how to render them.
Updated