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Tutorials

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  • Twixtor for FCP SpeedRamp

    Link
    Description

    This screencast gives an overview of how to use Twixtor within Final Cut Pro, to do a speed ramp using two different methods. You will see an example of the Frame number and Speed option to do a speed ramp in Twixtor.

    Timestamps:

    00:25 SpeedRamp by Frame Number

    04:14 Animation curve interpolation

    04:56 Speed percentage method

    **You can find additional and/or newer tutorials for Twixtor in Final Cut Pro here: https://help.revisionfx.com/album/28/

    This Tutorial Includes
    • Video
    See Tutorial
  • Fit to Fill in FCP Using Twixtor

    Link
    Description

    This screencast gives an overview of how to use Twixtor within Final Cut Pro, in order to lengthen or shorten a sequence to fit into a specified gap using the frame number option in Twixtor.

    Timestamps:

    00:34 Frame Number option to shorten clip

    02:07 Slow shot down

    **You can find additional and/or newer tutorials for Twixtor in Final Cut Pro here: https://help.revisionfx.com/album/28/

    This Tutorial Includes
    • Video
    See Tutorial
  • Twixtor Overview for FCP

    Link
    Description

    This screencast gives an overview of how to use Twixtor within Final Cut Pro, including how to apply Twixtor, how to speed up and slow down using Twixtor, and special considerations needed.

    Timestamps:

    00:24 Speeding Up

    03:14 Slowing Down

    **You can find additional and/or newer tutorials for Twixtor in Final Cut Pro here: https://help.revisionfx.com/album/28/

    This Tutorial Includes
    • Video
    See Tutorial
  • Better Retiming with Twixtor within FCP

    Link
    Description

    This screencast shows a comparison between the speed tools in FCP and using Twixtor withing FCP. You will see that the Twixtor result is much better.

    This Tutorial Includes
    • Video
    See Tutorial
  • What to do when Twixtor produces unwanted warping in AE

    Link
    Description

    This Tutorial explains how to use Motion Sensitivity to avoid unwanted warping in your re-timed shot.

    This Tutorial Includes
    • Video
    See Tutorial
  • Frame Edge Problems and Twixtor in AE

    Link
    Description

    This Tutorial explains when it is appropriate to use Smart Blend and shows Twixtor and Twixtor Pro with Smart Blend and compares a panning shot slowed down 10x with and without Smart Blend.

    A special thank you goes out to MarkEFXS for letting us use this footage.

    This Tutorial Includes
    • Video
    See Tutorial
  • Frame Rate Conversions with Twixtor in AE

    Link
    Description

    This Tutorial demonstrates how to do a frame rate conversion from 30fps to 24 fps. This tutorial specifically using footage from the Canon 5D Mark II but this method can be applied to any frame rate conversion using Twixtor.

    Footage provided by Banditos Brothers

    This Tutorial Includes
    • Video
    See Tutorial
  • Marking Edit Points with Twixtor in AE

    Link
    Description

    This Tutorial shows how to mark segments in an edit in order to avoid warping across edits when speeding up or slowing down the overall edit.

    A special thank you goes out to MarkEFXS for letting us use this footage.

    This Tutorial Includes
    • Video
    See Tutorial
  • Twixtor 4 sample projects

    Link
    Description

    Twixtor 4 sample projects for:

    • Adobe After Effects 5.0 and later
    • Combustion 3.0 or later (3.0.4 or later recommended)
    • Final Cut Pro 5.04 or later.
    • Premiere Pro

    This Tutorial Includes
    • ZIP Files
    See tutorial
  • Lip Synching with Twixtor in AE

    Link
    Description

    This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording.

    A special thank you goes out to Christopher Hawley ( www.ChristopherHawley.net) for letting us shoot footage of you singing/playing "Dance all Day" for this tutorial.

    This Tutorial Includes
    • Video
    See Tutorial
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