Description

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses

Description

In this tutorial, we will see how to use motion graphics, text and AE Paint with RE:Lens.

Description

In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.

13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.

RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After Effects

Description

In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=en

Also, how to export your 360 video with proper metadata, directly from Premiere Pro and After Effects.

Description

This document outlines how to generate UV maps out of 3DS Max and Maya using Mental RAY (MR) and VRAY with reference renders and reference scenes and screenshots showing the settings.  The intent is then use RE:Map UV or RE:Map Inverse UV in your compositing program.

Download the PDF here

We would like to thank Chad Capeland (https://indicated.co/) for helping us to document this process and testing the best approaches.

Note if you use V-Ray in Cinema 4D for example, you might want to also check our video tutorial using Cinema 4D Renderer ( http://help.revisionfx.com/task/22/#/tutorial-150) ).

Description

This tutorial shows how to do a simple speed-up and slow-down using Twixtor in Sony Catalyst Edit
Special Thanks to Mark Tekushan  www.mfxs.com  for allowing us to use his sailing footage.

Description

In this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.

Description

How to get a UV pass out of LightWave 3D, for use in After Effects using the RE:Map plugin with a few other tips along the way.

Check Mark Warner blog for other cool Lightwave tricks...

http://markwarner.tv/blog/

Description

This tutorial covers the best practices and tips for using DEFlicker in Premiere Pro to get the best results.  This complements our other tutorials about specific features of the product that work the same in all applications.

Description

Thank you to "Brograph Tutorials".

In this tutorial, you will learn how to render out motion vector files in C4D and bring them into AE and use the RSMB plug in for motion blur.

*Note: The author forgot to set his project to 16 bpc of floating point which removes a lot the need the smooth the motion vector pass (why he uses a blur) particularly as resolution increases.

If you work in floating point in AE, you could also use shift channel instead of set matte.
You can also do all the MV pre-processing  with RE:Fill Alpha or RE:Fill choke if you have that.