Description

Quick overview of how RSMB uses motion vectors in Nuke from a C4D motion vector pass.

Thanks to Impossible Engine for creating this tutorial.

Description

This tutorial covers the best practices and tips for using DEFlicker in FCP X to get the best results.  This complements our other tutorials about specific features of the product that work the same in all applications.

Description

his tutorial covers the basic use of Twixtor in HitFilm to do a Speedup, a Slow down and an animated Speed Ramp.

Special thanks to Rickard Bengston  for use of his footage.

Description

This tutorial covers the basic use of RSMB and RSMB Pro with Vectors in HitFilm.
Special thanks to Oton Bacar  for the BMX footage and Arkadiy Demchenko for the Motion Vector spider. 

Description

This tutorial covers the installation and basic usage of our plug-ins in HitFilm.  We use DE:Noise for this example.  

Special thanks to Sean Wheeler and Zander Schloss for letting us use a recording of them.

Description

This tutorial will show how to use Twixtor Pro and RE:Fill and Trapcode’s Particular to turn a real-world person (or any object) into what looks like the person is made out of particles.  We will be using the motion calculated from the object to throw the particles off the person, which provides more interaction between the person and the particles.   You will need Twixtor Pro and RE:Fill by RE:Vision Effects and Particular  (by Trapecode for Red Giant) for this tutorial. 

Description

Many users ask us if  Twixtor can retime audio. While Twixtor only retimes video, there is an easy way to use After Effects to retime the audio, but use Twixtor to retime the video, all at the same time.  This tutorial shows you two different methods on how to do this.

Special thanks to Tim Easton for being my model for the footage.

Description

In this tutorial, Mary Poplin shows how to use Mocha to speed the process tracking of important features of a model’s face.  The tracked splines are then used with RE:Flex Warp to make the model a bit thinner.  A similar technique could be employed that used Mocha to track two sequences and import the open splines for use with RE:Flex Motion Morph for tracking assistance when producing a morph on two moving sequences.

Description

This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart  Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
A Special Thanks to:
Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
Patrick Boivin https://www.youtube.com/user/PatrickBoivin  for the Transformer, stop motion footage
Grayson Hild http://www.graysonhild.com  for the time-lapse pier and lifeguard tower time-lapse footage. 

Description

In this tutorial, you will see several examples demonstrating frame rate conversion and mixed format issues and their solutions.

Credits:
We would like to thank the following for providing footage:

Gordon Laing - 120fps footage
http://cameralabs.com
cameralabs.com/reviews/Sony_Cyber-shot_RX100_III/

Also, thanks to Tim Easton for modeling for footage with numbers.