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Workaround for Premiere Color Shift Issue
Description
In this tutorial, we will see a quick workaround. In the latest version of Premiere, they added Auto-Tone Map Media which is a check box in the sequence settings, and it is checked on by default. We will see a workaround for this issue.
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RSMB Pro - Mattes and Track Points
Description
Description:In this tutorial, we will see two examples showing some advanced features for RSMB Pro. You will see an example using a matte to separate foreground from background and also how to use point tracking to guide RSMB's image tracking on problematic footage.Up to 12 tracking points can be specified to help guide RSMB Pro's motion estimation.Credits:Thank you to Mark Tekushan for the use of theNYC footage we used for the first example.www.mfxs.comThank you to Avi Cohen for the use of thefootage for the second example.www.AviCohen.tvIn this tutorial, we will see two examples showing some advanced features for RSMB Pro. You will see an example using a matte to separate foreground from background and also how to use point tracking to guide RSMB's image tracking on problematic footage.Up to 12 tracking points can be specified to help guide RSMB Pro's motion estimation.
Credits:
Thank you to Mark Tekushan for the use of theNYC footage we used for the first example. www.mfxs.com
Thank you to Avi Cohen for the use of the footage for the second example. www.AviCohen.tvThis Tutorial Includes
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“Save our Beaches” – an example using multiple RE:Vision Effects plugins
Description
This video is a showcase of a short PSA created using RE:Match, DE:FLicker, ReelSmart Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.A Special Thanks to:Mathias Omotola from http://www.maxon.net for helping me with the C4D title.Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footagePatrick Boivin https://www.youtube.com/user/PatrickBoivin for the Transformer, stop motion footageGrayson Hild http://www.graysonhild.com for the time-lapse pier and lifeguard tower time-lapse footage.Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
A Special Thanks to:
Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
Patrick Boivin https://www.youtube.com/user/PatrickBoivin for the Transformer, stop motion footage
Grayson Hild http://www.graysonhild.com for the time-lapse pier and lifeguard tower time-lapse footage.This Tutorial Includes
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RE:Vision FX and Premiere: Frame Rate Conversion and Mixed Formats
Description
In this tutorial, you will see several examples demonstrating frame rate conversion and mixed format issues and their solutions.
Credits:
We would like to thank the following for providing footage:
Gordon Laing - 120fps footage
http://cameralabs.com
cameralabs.com/reviews/Sony_Cyber-shot_RX100_III/
Also, thanks to Tim Easton for modeling for footage with numbers.This Tutorial Includes
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RSMB Sample Projects for AE compatible apps
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How to make video look more like film
Description
How do I use RE:Vision Effects plugins to help make video look more like film?
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M1 and Rosetta 2
Description
This is a Sales support tutorial explaining M1 and Rosetta 2.*Note: There is a small typo at 00:20. It is x86-64 not x64-86Author: Lori FreitagCompany: RE:Vision EffectsThis is a Sales support tutorial explaining M1 and Rosetta 2.
*Note: There is a small typo at 00:20. It is x86-64 not x64-86This Tutorial Includes
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Managing your account - Moving a key-based license
Description
In this tutorial we will see how to deactivate a license directly from your machine and also how to manage a license remotely via your account.Note: (This tutorial is for you, if your license format is: XXXX-XXXX-XXXX-XXXX-XXXX-XXXX-XXXX Issued from Dec 2018 and later).
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How La Maison's Mental Ray plugin works with RE:Vision Effects plugins
Description
Mental Ray shader that can be used to output vectors for RE:Vision Effects plugins
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Motion Vectors Out of Maya - video 1 to 4
Description
The following videos Motion Vectors out of Maya is a set of 4 tutorials prepared by Arkadiy Demchenko.
Many of RE:Vision Effects tools support motion vectors inputs including: ReelSmart Motion Blur, SmoothKit Directional, RE:Map Displace, Video Gogh, Twixtor Motion Vectors In.
This process will be useful to RE:Vision Effects users in Shake, Maya and Max Composite, Nuke, Fusion, After Effects, Combustion and others.
01_Basics I. This video explains how to install a special shader to
render motion vectors with Mental Ray.02_Basics II. In this tutorial we review some theory on how to render motion vectors properly and show a couple of tricks and things to keep an eye on. The tutorials are done in Maya 2009 but will apply to
03_Example I. Simple example scene with an animated spider. Using lm2DMV shader as well as Maya 2009+ passes system to get motion vectors.
04_Example II. Another example scene with a tower blowing up into pieces. Only Maya 2009+ passes system is used in this example.
A set of Maya scene project files to test the content of this tutorial by yourself and compare your results is maintained here:
http://www.revisionfx.com/support/faq...
The 2009 scenes can be uploaded directly in 2011 without issues.
P.S. Keep in mind that Sun&Sky system used in this scene creates a gamma correction lens shader for your camera that needs to be disabled / disconnected if you want to render the scene with lm2DMV shader. Passes on the other hand will ignore it, so no need to bother then.Arkadiy maintains the blog http://www.sigillarium.com about Maya and his work.
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