Description

In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.

credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarro

Description

In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.

Camera used:GoPro Omni 360, GoPro Karma drone

Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

Camera tech: Andrew Ganzon

Description

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses

Description

In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=en

Also, how to export your 360 video with proper metadata, directly from Premiere Pro and After Effects.

Description

In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.

Description

Description:This tutorial covers the basic concepts and use for RE:Match Stereo

Credits:We would like to thank the following for providing footage:
Jaime Fernández Miranda - jim-box.com.

Some material was licensed from Mammoth HD - mammothhd-3d.com/

Thank you to Werner Bloos  info@digi-dat.de for providingFootage 

OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage. 

Description

This tutorial covers the basic concepts and use for RE:Match Color.

Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/

The horses are from Trey Ratcliff of stuckincustoms.com

Also, thanks to Ami Sun for additional footage. 

Description

This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
Special Thanks to Banditos Brothers for providing footage. www.banditobrothers.com

Special Thanks to Rickard Bengtsson for allowing us to use his water balloon footage. www.vimeo.com/rbengtsson. 

Description

This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

Description

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.