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RE:Fill Added Features
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In this tutorial, we will see some new features in RE:Fill version 3.0. We will see one example using RE:Fill Offset and a second example using the RE:Fill Seamless Blend. In this version of RE:Fill we have added support for M1, Multi-Frame Rendering, added new features for RE:Fill Offset as well as a new plug-in called RE:Fill Seamless Blend.*Note: You need to be on RE:Fill v3 for this tutorialIn this tutorial, we will see some new features in RE:Fill version 3.0. We will see one example using RE:Fill Offset and a second example using the RE:Fill Seamless Blend. In this version of RE:Fill we have added support for M1, Multi-Frame Rendering, added new features for RE:Fill Offset as well as a new plug-in called RE:Fill Seamless Blend.
*Note: You need to be on RE:Fill v3 for this tutorial
This Tutorial Includes
- Video
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Video Fields for Millennials - Gen Alpha's
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In this tutorial, we use both After Effects and Premiere Pro. We use Adobe Media Encoder, Premiere Export and AE Render Cue. This tutorial will help you, if you need to prepare motion graphics alone or combined with live action and deliver your results in 1080i. We see two different workflows.In this tutorial, we use both After Effects and Premiere Pro. We use Adobe Media Encoder, Premiere Export and AE Render Queue. This tutorial will help you, if you need to prepare motion graphics alone or combined with live action and deliver your results in 1080i. We see two different workflows.
This Tutorial Includes
- Video
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FieldsKit and Premiere Pro
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In this tutorial, will see how FieldsKit can help deinterlace your interlaced footage in order to upload to online, social media platforms and what tools we have for great results.In this tutorial, will see how FieldsKit can help deinterlace your interlaced footage in order to upload to online, social media platforms and what tools we have for great results.This Tutorial Includes
- Video
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Twixtor, Time Remapping and Excel
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In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet. We also see a frame rate conversion.In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet. We also see a frame rate conversion.This Tutorial Includes
- Video
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DEFlicker and Timelapse
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In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e
This Tutorial Includes
- Video
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Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 2
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In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020. You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:00:27 - InFPS = OutFPS.01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.03:13 - 360 Video checkbox03:22 - Twixtor Pro - RGB+AIn this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020. You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:
00:27 - InFPS = OutFPS.
01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.
03:13 - 360 Video checkbox
03:22 - Twixtor Pro - RGB+A
This Tutorial Includes
- Video
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Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 1
See TutorialDescription
In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020. You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.Music: YouTube Audio LibraryAuthor: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/Twixtor/In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020. You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.
This Tutorial Includes
- Video
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Dead pixel, Hot pixel, Stuck pixel removal with RE:Fill
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In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels. This is just one use for RE:Fill Area Fill. You can check our documentation and other tutorials for other uses.In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels. This is just one use for RE:Fill Area Fill. You can check our documentation and other tutorials for other uses.This Tutorial Includes
- Video
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DEFlicker HighSpeed Footage in Premiere
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In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.credits:camera used: Panasonic GH5 1080P at 180 FPSSource footage provided by Chris FarroInstagram | @chrisfarroYouTube | youtube.com/ChristopherFarroIn this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.
credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarroThis Tutorial Includes
- Video
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Using 360 Video as a second camera
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In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them provided using RE:Vision Effects plug-ins.Camera used:GoPro Omni 360, GoPro Karma droneSoftware used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.Special Thanks to credit Camera tech: Andrew GanzonIn this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them provided using RE:Vision Effects plug-ins.
Camera used:GoPro Omni 360, GoPro Karma droneSoftware used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.
Camera tech: Andrew Ganzon
This Tutorial Includes
- Video
