Description

Timestamps:

0:14 What is REZup?

0:52 REZup Resize Workflow in After Effects.

1:07 Example #1 - Scaling HD to UHD using REZup Resize.

5:07 Example #2 - OFX Workflow using Autograph.

6:56 Example #3 - REZup Enhance in After Effects.

Description:In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.REZup Enhance will increase your image quality.  See new details that you did not know were available.  REZup Resize will allow you to upscale your video without loss of quality.
*To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezup

Description

Description

In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e

Description

In this tutorial, you will learn the basic steps for using DEFlicker Rolling Bands in After Effects.  You will see a few examples demonstrating different scenarios.

06:56

See these links to learn more about wagon wheel effect: 
https://www.youtube.com/watchv=VNftf5qLpiA

https://www.youtube.com/watch?v=QOwzkND_ooU

https://www.youtube.com/watch?v=6XwgbHjRo30

https://www.youtube.com/watch?v=9MN5MF72PHs

Thank you to Anita Rizzano for the Rolling Bands footage.

Description

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses

Description

A video covering the use of  Reel Smart Motion Blur to add motion blur to your images in the post process via the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here 9bstudios.com/modo70x/CrazyChicken.zip

Special Thanks to Yazan Malkosh 9bstudios.com  for providing us with this tutorial. The 3D renderer is Modo luxology.com

Description

Joren  Kandel (http://www.thepixellab.net/blog) has provided a Cinema 4D and After Effects tutorial where he shows you how to use  RE:Map UV to replace a C4D UV pass with a 2D texture in After Effects. 

Description

This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

Description

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.

Description

This Tutorial explains when it is appropriate to use Smart Blend and shows regular Twixtor with Inverse and with Forward Warping and compares a panning shot slowed down 10x with and without Smart Blend

Special Thanks to Mark Tekushan for allowing us to use the beach footage. www.mfxs.com