Description

This is an example of another method besides using Render Effects, to have smooth editing with high resolution files.  We use proxy mode with Twixtor so you can dynamically change the video speed with our tools without pre-rendering previews every time, while editing.

**Note: One reason we use proxies here is that the footage is 4K and Twixtor is not a real-time effect in Premiere, so at 4K, you might have non-responsive playback even with GPU on.

Description

In this tutorial, we will see a quick workaround.  In the latest version of Premiere, they added Auto-Tone Map Media which is a check box in the sequence settings, and it is checked on by default.  We will see a workaround for this issue.

Description

Timestamps:

0:14 What is REZup?

0:52 REZup Resize Workflow in After Effects.

1:07 Example #1 - Scaling HD to UHD using REZup Resize.

5:07 Example #2 - OFX Workflow using Autograph.

6:56 Example #3 - REZup Enhance in After Effects.

Description:In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.REZup Enhance will increase your image quality.  See new details that you did not know were available.  REZup Resize will allow you to upscale your video without loss of quality.
*To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezup

Description

In this tutorial, we will see two examples showing some advanced features for RSMB Pro.  You will see an example using a matte to separate foreground from background and also how to use point tracking to guide RSMB's image tracking on problematic footage.Up to 12 tracking points can be specified to help guide RSMB Pro's motion estimation.

Credits:
Thank you to Mark Tekushan for the use of theNYC footage we used for the first example. www.mfxs.com

Thank you to Avi Cohen for the use of the footage for the second example. www.AviCohen.tv 

Description

In this tutorial, we will see some new features in RE:Fill version 3.0. We will see one example using RE:Fill Offset and a second example using the RE:Fill Seamless Blend. In this version of RE:Fill we have added support for M1, Multi-Frame Rendering, added new features for RE:Fill Offset as well as a new plug-in called RE:Fill Seamless Blend.

*Note: You need to be on RE:Fill v3 for this tutorial

Description

In this tutorial, we use both After Effects and Premiere Pro. We use Adobe Media Encoder, Premiere Export and AE Render Queue. This tutorial will help you, if you need to prepare motion graphics alone or combined with live action and deliver your results in 1080i.  We see two different workflows.

Description

Description

Description

In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e

Description

In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  

00:27 - InFPS = OutFPS. 

01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.

03:13 - 360 Video checkbox

03:22 - Twixtor Pro - RGB+A