Description

In this tutorial, we will use RE:Lens in Scratch by ASSIMILATE and see how to animate a camera move in post on fisheye footage sources.  The source material was shot with Panasonic GH5 in Photo6K mode using Entapano 250 deg. superfish lens. The host used here is Scratch as it supports mp4 video files over 4K  which is what the GH5 records in that 18 MP recording mode.

*Note at 06:21, I said "horizontally" but I meant "vertically".

Description

In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.

Camera used:GoPro Omni 360, GoPro Karma drone

Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

Camera tech: Andrew Ganzon

Description

Description

In this tutorial, you will see some advanced tips and tricks for using the Spherical Stabilizer within RE:Lens ToLatLong.  
Special thanks to Kevin Cruz & KODAK PIXPRO for the use of the Camel footage

Description

In this tutorial, you will see the workflow of a RE:Lens project utilizing Superfish and the "Spherical Stabilization" feature.  
Special thanks to JK Imaging Ltd. for the use of the Camel footage.

Description

In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens Superfish, ToLatLong and FromLatLong.

Description

Description:In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens.  Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFish

Description

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses

Description

In this tutorial, we will see how to use motion graphics, text and AE Paint with RE:Lens.

Description

In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.

13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.

RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After Effects