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Working with LatLong Projections in RE:Lens
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In this tutorial we are focusing on LatLong Projections, which are commonly used for VR360 and 180 workflows, and we show how to reframe, reformat and creatively repurpose footage using RE:Lens.In this tutorial we are focusing on LatLong Projections, which are commonly used for VR360 and 180 workflows, and we show how to reframe, reformat and creatively repurpose footage using RE:Lens.This Tutorial Includes
- Video
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RE:Lens and Fisheye 2025
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Title: RE:Lens in Fisheye 2025Product: RE:LensHost used for tutorial: AE,PP,ResolveDescription:Shoot with super-wide fisheye lenses and animate orientation, stabilize and zoom (focal length) using RE:Lens Superfish with very high res video.Great for narrow places, non-scripted, non-predictable shoots and extra POV wide-angle cameras, PTZ in post.*Resolve tends to change a lot, version used: v.20.2.3Cameras used:Ex. 1 - Canon c500 with the HAL 220 lensEx. 2 - Panasonic GH5 + Entaniya 250° lensEx. 3 - RED Monstro camera with a HAL 200 6.0mmEx. 4 - Sony Mirrorless camera with HAL 200Put the cameras used in description at what resolution to help get more repostsand #tag them too#lumix #red #sony #canon #entaniyaShoot with super-wide fisheye lenses and animate orientation, stabilize and zoom (focal length) using RE:Lens Superfish with very high res video.Great for narrow places, non-scripted, non-predictable shoots and extra POV wide-angle cameras, PTZ in post. *Resolve tends to change a lot, version used: v.20.2.3
Cameras used:Ex. 1 - Canon c500 with the HAL 220 lensEx. 2 - Panasonic GH5 + Entaniya 250° lensEx. 3 - RED Monstro camera with a HAL 200 6.0mmEx. 4 - Sony Mirrorless camera with HAL 200
This Tutorial Includes
- Video
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