Description

This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
Special Thanks to Banditos Brothers for providing footage. www.banditobrothers.com

Special Thanks to Rickard Bengtsson for allowing us to use his water balloon footage. www.vimeo.com/rbengtsson. 

Description

This tutorial shows how how to do a Frame rate conversion including interlaced and progressive input and output settings. Use this tutorial for Twixtor v5.4 and up.

If you are using versions earlier than Twixtor v5.4, then watch this link: http://www.youtube.com/watch?v=vML1oHCbP-U&list=PL6259C7867889AC48

Footage provided by Banditos Brothers - www.banditobrothers.com

Description

Joren  Kandel (http://www.thepixellab.net/blog) has provided a Cinema 4D and After Effects tutorial where he shows you how to use  RE:Map UV to replace a C4D UV pass with a 2D texture in After Effects. 

Description

This screencast gives an overview of how to use Twixtor within Final Cut Pro X, to do a SpeedRamp and Fit-to-Fill. You will see an example of the Frame number and Speed option in Twixtor.

Special Thanks to Mark Tekushan for allowing us to use the sailing footage. www.mfxs.com 

Special Thanks to Jesse James Jones for allowing us to use his car footage. www.Jesse.com 

Description

This tutorial shows how to do a simple speed-up and slow-down using Twixtor in FCP X.

Special Thanks to Mark Tekushan for allowing us to use the sailing footage. www.mfxs.com 

Description

In this tutorial you will learn how to utilise a motion vector pass from Cinema 4D to introduce motion blur in to your final comp, with RE: Vision Effects Reel Smart Motion Blur Vectors Plugin.

If Play link does not work, try this external link

http://vimeo.com/33243611/

Description

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.

Description

Description

This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

Description

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.