Description

This document outlines how to generate UV maps out of 3DS Max and Maya using Mental RAY (MR) and VRAY with reference renders and reference scenes and screenshots showing the settings.  The intent is then use RE:Map UV or RE:Map Inverse UV in your compositing program.

Download the PDF here

We would like to thank Chad Capeland (https://indicated.co/) for helping us to document this process and testing the best approaches.

Note if you use V-Ray in Cinema 4D for example, you might want to also check our video tutorial using Cinema 4D Renderer ( http://help.revisionfx.com/task/22/#/tutorial-150) ).

Description

In this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.

Description

How to get a UV pass out of LightWave 3D, for use in After Effects using the RE:Map plugin with a few other tips along the way.

Check Mark Warner blog for other cool Lightwave tricks...

http://markwarner.tv/blog/

Description

Thank you to "Brograph Tutorials".

In this tutorial, you will learn how to render out motion vector files in C4D and bring them into AE and use the RSMB plug in for motion blur.

*Note: The author forgot to set his project to 16 bpc of floating point which removes a lot the need the smooth the motion vector pass (why he uses a blur) particularly as resolution increases.

If you work in floating point in AE, you could also use shift channel instead of set matte.
You can also do all the MV pre-processing  with RE:Fill Alpha or RE:Fill choke if you have that.

Description

This tutorial will show how to use Twixtor Pro and RE:Fill and Trapcode’s Particular to turn a real-world person (or any object) into what looks like the person is made out of particles.  We will be using the motion calculated from the object to throw the particles off the person, which provides more interaction between the person and the particles.   You will need Twixtor Pro and RE:Fill by RE:Vision Effects and Particular  (by Trapecode for Red Giant) for this tutorial. 

Description

Many users ask us if  Twixtor can retime audio. While Twixtor only retimes video, there is an easy way to use After Effects to retime the audio, but use Twixtor to retime the video, all at the same time.  This tutorial shows you two different methods on how to do this.

Special thanks to Tim Easton for being my model for the footage.

Description

In this tutorial, Mary Poplin shows how to use Mocha to speed the process tracking of important features of a model’s face.  The tracked splines are then used with RE:Flex Warp to make the model a bit thinner.  A similar technique could be employed that used Mocha to track two sequences and import the open splines for use with RE:Flex Motion Morph for tracking assistance when producing a morph on two moving sequences.

Description

This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart  Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
A Special Thanks to:
Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
Patrick Boivin https://www.youtube.com/user/PatrickBoivin  for the Transformer, stop motion footage
Grayson Hild http://www.graysonhild.com  for the time-lapse pier and lifeguard tower time-lapse footage. 

Description

In this tutorial, we see more examples of DEFlicker used for special case scenarios including flicker due to electricity, Rolling shutter, stop-motion and also how to use DEFlicker to merge dual iso exposures shot with a Canon camera that was updated with Magic lantern firmware.
Special Thanks to: Dan Lantz,Temple University for providing the Lobby footage used in example 1, Jack Tunnicliffe (Java Post Production www.javapost.ca) for the Ambulance footage used in Example 2, Stephen Hall for providing the Magic Lantern footage used in example 3 http://stevehallvideo.com and to Wes Plate and Carol Hodge , alarmingpictures.com for the stop motion footage used in Example 4.

Description

In this tutorial, we see how to use DEFlicker to prep your footage and how to handle missing or bad frames.  We also see how to use the mark segments option when you have to DE:Flicker an edit with multiple shots.

Special Thanks to: support@artbeats.com for providing the construction site time-lapse footage used in this tutorial.

Special Thanks to: Mike Hughes, for providing the Eclipse Time-Lapse footage.