Description

A series of tutorials using the RE:Lens plug-ins

Tutorials

1. RE:Lens Defish and Superfish »
2. Motion Graphics and RE:Lens »
3. Tracking, Fisheye lenses and RE:Lens »
4. RE:Lens - Stabilizing 360 VR footage »
5. RE:Lens Project Example - Tips and Tricks »
6. Using 360 Video as a second camera »
7. RE:Lens in Scratch - Part 1 »
8. RE:Lens in Scratch - Part 2 »
9. RE:Lens - Shoot now, do the camera work later »
10. RE:Lens - Advanced Stabilization Tips »
11. RE:Lens Working with 360 Virtual Sets »
12. Uploading 360 Video to YouTube, Facebook and other players »
13. Premiere Pro to After Effects Workflow »
14. RE:Lens for FCPX - Converting fisheye footage to 360 »
15. RE:Lens - Stabilizing 360 VR in FCPX tutorial »
16. Resolve - Handling Clips with different Input and Output size »
17. Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions »
18. How to make a perfect stabilization VR 360 Hyperlapse video »
19. Unwrapping iZugar MKX200 3.8mm fisheye with RE:Lens »
20. Handling clips with different Input and Output sizes within Flame »

Description

Andrii Shramko demos a useful feature in RE:Lens spherical stabilizer allowing you to handle real hard shots by masking areas of the source. You can also use this feature on fisheye stabilization where there is moving junk (light flares and leaks) outside of the image circle that affects the tracking, as well as in stitched videos where a camera is moving indepedently from the rest of the rig (which confuses any tracker).
https://www.facebook.com/shramko360/

Description

In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

Description

In this tutorial, we will use the RE:Lens Superfish and the From Latlong plugin, to animate the camera in post and show two examples.   

camera used: Modified GoPro camera with the Entanyia fisheye lens by Entapano 

Description

In this tutorial, you will see some advanced tips and tricks for using the Spherical Stabilizer within RE:Lens ToLatLong.  
Special thanks to Kevin Cruz & KODAK PIXPRO for the use of the Camel footage

Description

In this tutorial, you will see the workflow of a RE:Lens project utilizing Superfish and the "Spherical Stabilization" feature.  
Special thanks to JK Imaging Ltd. for the use of the Camel footage.

Description

In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens Superfish, ToLatLong and FromLatLong.

Description

Description:In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens.  Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFish

Description

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses

Description

In this tutorial, we will see how to use motion graphics, text and AE Paint with RE:Lens.