Description

A series of tutorials using the RE:Lens plug-ins

Tutorials

1. RE:Lens and Fisheye 2025 »
2. RE:Lens Defish and Superfish »
3. Motion Graphics and RE:Lens »
4. Tracking, Fisheye lenses and RE:Lens »
5. RE:Lens - Stabilizing 360 VR footage »
6. RE:Lens Project Example - Tips and Tricks »
7. Using 360 Video as a second camera »
8. RE:Lens in Scratch - Part 1 »
9. RE:Lens in Scratch - Part 2 »
10. RE:Lens - Shoot now, do the camera work later »
11. RE:Lens - Advanced Stabilization Tips »
12. RE:Lens Working with 360 Virtual Sets »
13. Uploading 360 Video to YouTube, Facebook and other players »
14. Premiere Pro to After Effects Workflow »
15. RE:Lens for FCPX - Converting fisheye footage to 360 »
16. RE:Lens - Stabilizing 360 VR in FCPX tutorial »
17. Resolve - Handling Clips with different Input and Output size »
18. Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions »
19. How to make a perfect stabilization VR 360 Hyperlapse video »
20. Unwrapping iZugar MKX200 3.8mm fisheye with RE:Lens »
21. Handling clips with different Input and Output sizes within Flame »

Description

In this tutorial we are focusing on LatLong Projections, which are commonly used for VR360 and 180 workflows, and we show how to reframe, reformat and creatively repurpose footage using RE:Lens.

Description

Shoot with super-wide fisheye lenses and animate orientation, stabilize and zoom (focal length) using RE:Lens Superfish with very high res video.Great for narrow places, non-scripted, non-predictable shoots and extra POV wide-angle cameras, PTZ in post. *Resolve tends to change a lot, version used:  v.20.2.3

Cameras used:Ex. 1 - Canon c500 with the HAL 220 lensEx. 2 - Panasonic GH5 + Entaniya 250° lensEx. 3 - RED Monstro camera with a HAL 200 6.0mmEx. 4 - Sony Mirrorless camera with HAL 200