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  • Tutorials (24)
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  • REZup Overview - Resize & Enhance Product: REZup

    Link
    Description

     

    Timestamps:
    0:14 What is REZup?
    0:52 REZup Resize Workflow in After Effects.
    1:07 Example #1 - Scaling HD to UHD using REZup Resize.
    5:07 Example #2 - OFX Workflow using Autograph.
    6:56 Example #3 - REZup Enhance in After Effects.
    Description:
    In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.
    REZup Enhance will increase your image quality.  See new details that you did not know were available.  REZup Resize will allow you to upscale your video without loss of quality.
    *To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezup

     

    Timestamps:

    0:14 What is REZup?

    0:52 REZup Resize Workflow in After Effects.

    1:07 Example #1 - Scaling HD to UHD using REZup Resize.

    5:07 Example #2 - OFX Workflow using Autograph.

    6:56 Example #3 - REZup Enhance in After Effects.


    Description:In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.REZup Enhance will increase your image quality.  See new details that you did not know were available.  REZup Resize will allow you to upscale your video without loss of quality.
    *To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezup

    This Tutorial Includes
    • Video
    See Tutorial
  • RSMB Pro - Mattes and Track Points

    Link
    Description

     

    Description:
    In this tutorial, we will see two examples showing some advanced features for RSMB Pro.  You will see an example using a matte to separate foreground from background and also how to use point tracking to guide RSMB's image tracking on problematic footage.
    Up to 12 tracking points can be specified to help guide RSMB Pro's motion estimation.
    Credits:
    Thank you to Mark Tekushan for the use of the
    NYC footage we used for the first example. 
    www.mfxs.com
    Thank you to Avi Cohen for the use of the 
    footage for the second example.
    www.AviCohen.tv 

     

    In this tutorial, we will see two examples showing some advanced features for RSMB Pro.  You will see an example using a matte to separate foreground from background and also how to use point tracking to guide RSMB's image tracking on problematic footage.Up to 12 tracking points can be specified to help guide RSMB Pro's motion estimation.


    Credits:
    Thank you to Mark Tekushan for the use of theNYC footage we used for the first example. www.mfxs.com


    Thank you to Avi Cohen for the use of the footage for the second example. www.AviCohen.tv 

    This Tutorial Includes
    • Video
    See Tutorial
  • RE:Fill Added Features

    Link
    Description

     

    In this tutorial, we will see some new features in RE:Fill version 3.0. We will see one example using RE:Fill Offset and a second example using the RE:Fill Seamless Blend. In this version of RE:Fill we have added support for M1, Multi-Frame Rendering, added new features for RE:Fill Offset as well as a new plug-in called RE:Fill Seamless Blend.
    *Note: You need to be on RE:Fill v3 for this tutorial

     

    In this tutorial, we will see some new features in RE:Fill version 3.0. We will see one example using RE:Fill Offset and a second example using the RE:Fill Seamless Blend. In this version of RE:Fill we have added support for M1, Multi-Frame Rendering, added new features for RE:Fill Offset as well as a new plug-in called RE:Fill Seamless Blend.

    *Note: You need to be on RE:Fill v3 for this tutorial

    This Tutorial Includes
    • Video
    See Tutorial
  • Video Fields for Millennials - Gen Alpha's

    Link
    Description

     

    In this tutorial, we use both After Effects and Premiere Pro. We use Adobe Media Encoder, Premiere Export and AE Render Cue. This tutorial will help you, if you need to prepare motion graphics alone or combined with live action and deliver your results in 1080i.  We see two different workflows.

    In this tutorial, we use both After Effects and Premiere Pro. We use Adobe Media Encoder, Premiere Export and AE Render Queue. This tutorial will help you, if you need to prepare motion graphics alone or combined with live action and deliver your results in 1080i.  We see two different workflows.

     

    This Tutorial Includes
    • Video
    See Tutorial
  • FieldsKit and Premiere Pro

    Link
    Description

    In this tutorial, will see how FieldsKit can help deinterlace your interlaced footage in order to upload to online, social media platforms and what tools we have for great results.
    In this tutorial, will see how FieldsKit can help deinterlace your interlaced footage in order to upload to online, social media platforms and what tools we have for great results.

    This Tutorial Includes
    • Video
    See Tutorial
  • Twixtor, Time Remapping and Excel

    Link
    Description

    In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet.  We also see a frame rate conversion.
    In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet.  We also see a frame rate conversion.

    This Tutorial Includes
    • Video
    See Tutorial
  • DEFlicker and Timelapse

    Link
    Description

    In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e

    This Tutorial Includes
    • Video
    See Tutorial
  • Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 2

    Link
    Description

     

    In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  
    00:27 - InFPS = OutFPS. 
    01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.
    03:13 - 360 Video checkbox
    03:22 - Twixtor Pro - RGB+A

     

    In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  

    00:27 - InFPS = OutFPS. 

    01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.

    03:13 - 360 Video checkbox

    03:22 - Twixtor Pro - RGB+A

    This Tutorial Includes
    • Video
    See Tutorial
  • Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 1

    Link
    Description

     

    In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.
     
    Music: YouTube Audio Library 
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/Twixtor/

    In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.

     

    This Tutorial Includes
    • Video
    See Tutorial
  • Dead pixel, Hot pixel, Stuck pixel removal with RE:Fill

    Link
    Description

    In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels.  This is just one use for RE:Fill Area Fill.  You can check our documentation and other tutorials for other uses.
    In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels.  This is just one use for RE:Fill Area Fill.  You can check our documentation and other tutorials for other uses.

    This Tutorial Includes
    • Video
    See Tutorial
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