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Latest Album

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  • RE:Lens

    RE:Lens Link
    Description

    A series of tutorials using the RE:Lens plug-ins

    Tutorials
    1. Uploading 360 Video to YouTube, Facebook and other players »
    2. RE:Lens Working with 360 Virtual Sets »
    3. Motion Graphics and RE:Lens »
    4. RE:Lens Defish and Superfish »
    5. Tracking, Fisheye lenses and RE:Lens »
    6. RE:Lens - Stabilizing 360 VR footage »
    7. RE:Lens Project Example - Tips and Tricks »
    8. Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions »
    9. Using 360 Video as a second camera »
    10. RE:Lens - Advanced Stabilization Tips »
    11. RE:Lens in Scratch - Part 1 »
    12. RE:Lens in Scratch - Part 2 »
    13. RE:Lens - Shoot now, do the camera work later »
    14. RE:Lens for FCPX - Converting fisheye footage to 360 »
    15. RE:Lens - Stabilizing 360 VR in FCPX tutorial »
    16. Resolve - Handling Clips with different Input and Output size »
    17. Premiere Pro to After Effects Workflow »
    18. How to make a perfect stabilization VR 360 Hyperlapse video »
    19. Unwrapping iZugar MKX200 3.8mm fisheye with RE:Lens »
    20. Handling clips with different Input and Output sizes within Flame »
    This Album Includes
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Tutorials

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  • Twixtor, Time Remapping and Excel

    RE:Lens Link
    Description

    In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet.  We also see a frame rate conversion.
    In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet.  We also see a frame rate conversion.

    This Tutorial Includes
    • Video
    See Tutorial

  • DEFlicker and Timelapse

    RE:Lens Link
    Description

    In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e

    This Tutorial Includes
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  • Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 2

    RE:Lens Link
    Description

     

    In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  
    00:27 - InFPS = OutFPS. 
    01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.
    03:13 - 360 Video checkbox
    03:22 - Twixtor Pro - RGB+A

     

    In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  

    00:27 - InFPS = OutFPS. 

    01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.

    03:13 - 360 Video checkbox

    03:22 - Twixtor Pro - RGB+A

    This Tutorial Includes
    • Video
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  • Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 1

    RE:Lens Link
    Description

     

    In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.
     
    Music: YouTube Audio Library 
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/Twixtor/

    In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.

     

    This Tutorial Includes
    • Video
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  • Dead pixel, Hot pixel, Stuck pixel removal with RE:Fill

    RE:Lens Link
    Description

    In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels.  This is just one use for RE:Fill Area Fill.  You can check our documentation and other tutorials for other uses.
    In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels.  This is just one use for RE:Fill Area Fill.  You can check our documentation and other tutorials for other uses.

    This Tutorial Includes
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  • DEFlicker HighSpeed Footage in Premiere

    RE:Lens Link
    Description

     

    In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.
    credits:
    camera used: Panasonic GH5 1080P at 180 FPS 
    Source footage provided by Chris Farro 
    Instagram | @chrisfarro
    YouTube | youtube.com/ChristopherFarro

     

    In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.


    credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarro

    This Tutorial Includes
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  • Using 360 Video as a second camera

    RE:Lens Link
    Description

     

    In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.
    Camera used:GoPro Omni 360, GoPro Karma drone
    Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.
    Special Thanks to credit Camera tech: Andrew Ganzon

    In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.


    Camera used:GoPro Omni 360, GoPro Karma drone

    Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

    Camera tech: Andrew Ganzon

     

    This Tutorial Includes
    • Video
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  • RE:Lens Defish and Superfish

    RE:Lens Link
    Description

    In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

    Cameras and lenses used:

    Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

           Beating the edge of frame over-stretching with Defish

    Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

           Non-Square Pixel Aspect Ratio, Anamorphic process

    Ex. 2.A) - GoPro Hero 4 Black Superview Mode

    Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

            Full Frame Fisheye and RE:Lens Defish

    Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

            Circular Fisheye lenses and RE:Lens Superfish

    Ex. 4.A) - With Kipon Adapter

    Ex. 4.B) - With Metabones Adapter

    Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

           - Superfish Lenses

     

     

    This Tutorial Includes
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  • Uploading 360 Video to YouTube, Facebook and other players

    RE:Lens Link
    Description

     

    In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..
    https://support.google.com/youtube/answer/6178631?hl=en
    http://www.revisionfx.com/products/relens/

    In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=en

    Also, how to export your 360 video with proper metadata, directly from Premiere Pro and After Effects.

     

     

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