Description

A series of tutorials using the RE:Lens plug-ins

Tutorials

1. Uploading 360 Video to YouTube, Facebook and other players »
2. RE:Lens Working with 360 Virtual Sets »
3. Motion Graphics and RE:Lens »
4. RE:Lens Defish and Superfish »
5. Tracking, Fisheye lenses and RE:Lens »
6. RE:Lens - Stabilizing 360 VR footage »
7. RE:Lens Project Example - Tips and Tricks »
8. Scratch - Setting up an effect in Scratch 9 and over - with different input/output resolutions »
9. Using 360 Video as a second camera »
10. RE:Lens - Advanced Stabilization Tips »
11. RE:Lens in Scratch - Part 1 »
12. RE:Lens in Scratch - Part 2 »
13. RE:Lens - Shoot now, do the camera work later »
14. RE:Lens for FCPX - Converting fisheye footage to 360 »
15. RE:Lens - Stabilizing 360 VR in FCPX tutorial »
16. Resolve - Handling Clips with different Input and Output size »
17. Premiere Pro to After Effects Workflow »
18. How to make a perfect stabilization VR 360 Hyperlapse video »
19. Unwrapping iZugar MKX200 3.8mm fisheye with RE:Lens »

Description

In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  

00:27 - InFPS = OutFPS. 

01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.

03:13 - 360 Video checkbox

03:22 - Twixtor Pro - RGB+A

Description

In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.

Description

Description

In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.

credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarro

Description

In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.

Camera used:GoPro Omni 360, GoPro Karma drone

Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

Camera tech: Andrew Ganzon

Description

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses

Description

In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=en

Also, how to export your 360 video with proper metadata, directly from Premiere Pro and After Effects.

Description

In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.

Description

Description:This tutorial covers the basic concepts and use for RE:Match Stereo

Credits:We would like to thank the following for providing footage:
Jaime Fernández Miranda - jim-box.com.

Some material was licensed from Mammoth HD - mammothhd-3d.com/

Thank you to Werner Bloos  info@digi-dat.de for providingFootage 

OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage.