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RE:Fill in AE and Premiere
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Description

A series of tutorials using RE:Fill in After Effects and Premiere

Tutorials
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RSMB Pro - Mattes and Track Points
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Description

Description:

In this tutorial, we will see two examples showing some advanced features for RSMB Pro. You will see an example using a matte to separate foreground from background and also how to use point tracking to guide RSMB's image tracking on problematic footage.

Up to 12 tracking points can be specified to help guide RSMB Pro's motion estimation.

Credits:

Thank you to Mark Tekushan for the use of the

NYC footage we used for the first example.

www.mfxs.com

Thank you to Avi Cohen for the use of the

footage for the second example.

www.AviCohen.tv

In this tutorial, we will see two examples showing some advanced features for RSMB Pro. You will see an example using a matte to separate foreground from background and also how to use point tracking to guide RSMB's image tracking on problematic footage.Up to 12 tracking points can be specified to help guide RSMB Pro's motion estimation.

Credits:
Thank you to Mark Tekushan for the use of theNYC footage we used for the first example. www.mfxs.com

Thank you to Avi Cohen for the use of the footage for the second example. www.AviCohen.tv
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RE:Fill Added Features
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In this tutorial, we will see some new features in RE:Fill version 3.0. We will see one example using RE:Fill Offset and a second example using the RE:Fill Seamless Blend. In this version of RE:Fill we have added support for M1, Multi-Frame Rendering, added new features for RE:Fill Offset as well as a new plug-in called RE:Fill Seamless Blend.

*Note: You need to be on RE:Fill v3 for this tutorial

In this tutorial, we will see some new features in RE:Fill version 3.0. We will see one example using RE:Fill Offset and a second example using the RE:Fill Seamless Blend. In this version of RE:Fill we have added support for M1, Multi-Frame Rendering, added new features for RE:Fill Offset as well as a new plug-in called RE:Fill Seamless Blend.

*Note: You need to be on RE:Fill v3 for this tutorial
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Video Fields for Millennials - Gen Alpha's
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Description

In this tutorial, we use both After Effects and Premiere Pro. We use Adobe Media Encoder, Premiere Export and AE Render Cue. This tutorial will help you, if you need to prepare motion graphics alone or combined with live action and deliver your results in 1080i. We see two different workflows.

In this tutorial, we use both After Effects and Premiere Pro. We use Adobe Media Encoder, Premiere Export and AE Render Queue. This tutorial will help you, if you need to prepare motion graphics alone or combined with live action and deliver your results in 1080i. We see two different workflows.
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FieldsKit and Premiere Pro
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In this tutorial, will see how FieldsKit can help deinterlace your interlaced footage in order to upload to online, social media platforms and what tools we have for great results.
In this tutorial, will see how FieldsKit can help deinterlace your interlaced footage in order to upload to online, social media platforms and what tools we have for great results.
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Twixtor, Time Remapping and Excel
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In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet. We also see a frame rate conversion.
In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet. We also see a frame rate conversion.
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DEFlicker and Timelapse
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In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e
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Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 2
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Description

In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020. You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:

00:27 - InFPS = OutFPS.

01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.

03:13 - 360 Video checkbox

03:22 - Twixtor Pro - RGB+A

In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020. You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:

00:27 - InFPS = OutFPS.

01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.

03:13 - 360 Video checkbox

03:22 - Twixtor Pro - RGB+A
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Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 1
Link

Description

In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020. You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.

Music: YouTube Audio Library

Author: Lori Freitag

Company: RE:Vision Effects

link: http://revisionfx.com/products/Twixtor/

In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020. You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.
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Dead pixel, Hot pixel, Stuck pixel removal with RE:Fill
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Description

In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels. This is just one use for RE:Fill Area Fill. You can check our documentation and other tutorials for other uses.
In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels. This is just one use for RE:Fill Area Fill. You can check our documentation and other tutorials for other uses.
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