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Tutorials

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  • Dead pixel, Hot pixel, Stuck pixel removal with RE:Fill

    Link
    Description

    In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels.  This is just one use for RE:Fill Area Fill.  You can check our documentation and other tutorials for other uses.
    In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels.  This is just one use for RE:Fill Area Fill.  You can check our documentation and other tutorials for other uses.

    This Tutorial Includes
    • Video
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  • DEFlicker HighSpeed Footage in Premiere

    Link
    Description

     

    In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.
    credits:
    camera used: Panasonic GH5 1080P at 180 FPS 
    Source footage provided by Chris Farro 
    Instagram | @chrisfarro
    YouTube | youtube.com/ChristopherFarro

     

    In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.


    credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarro

    This Tutorial Includes
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  • Using 360 Video as a second camera

    Link
    Description

     

    In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.
    Camera used:GoPro Omni 360, GoPro Karma drone
    Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.
    Special Thanks to credit Camera tech: Andrew Ganzon

    In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.


    Camera used:GoPro Omni 360, GoPro Karma drone

    Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

    Camera tech: Andrew Ganzon

     

    This Tutorial Includes
    • Video
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  • RE:Lens Defish and Superfish

    Link
    Description

    In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

    Cameras and lenses used:

    Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

           Beating the edge of frame over-stretching with Defish

    Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

           Non-Square Pixel Aspect Ratio, Anamorphic process

    Ex. 2.A) - GoPro Hero 4 Black Superview Mode

    Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

            Full Frame Fisheye and RE:Lens Defish

    Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

            Circular Fisheye lenses and RE:Lens Superfish

    Ex. 4.A) - With Kipon Adapter

    Ex. 4.B) - With Metabones Adapter

    Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

           - Superfish Lenses

     

     

    This Tutorial Includes
    • Video
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  • Uploading 360 Video to YouTube, Facebook and other players

    Link
    Description

     

    In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..
    https://support.google.com/youtube/answer/6178631?hl=en
    http://www.revisionfx.com/products/relens/

    In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=en

    Also, how to export your 360 video with proper metadata, directly from Premiere Pro and After Effects.

     

     

    This Tutorial Includes
    • Video
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  • RE:Match Non-matching Cameras in Premiere Pro

    Link
    Description

    In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.

    This Tutorial Includes
    • Video
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  • Introduction to RE:Match Stereo

    Link
    Description

    Description:This tutorial covers the basic concepts and use for RE:Match Stereo

    Credits:We would like to thank the following for providing footage:
    Jaime Fernández Miranda - jim-box.com.

    Some material was licensed from Mammoth HD - mammothhd-3d.com/

    Thank you to Werner Bloos  info@digi-dat.de for providingFootage 

    OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage. 

    This Tutorial Includes
    • Video
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  • Introduction to RE:Match Color

    Link
    Description

     

    This tutorial covers the basic concepts and use for RE:Match Multicam
    Credits:
    We would like to thank the following for providing footage:
    Some material was licensed from Mammoth HD - mammothhd-3d.com/
    The horses are from Trey Ratcliff of stuckincustoms.com
    And also, thanks to Ami Sun for additional footage.
     
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/rematch/

    This tutorial covers the basic concepts and use for RE:Match Color.

    Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/

    The horses are from Trey Ratcliff of stuckincustoms.com

    Also, thanks to Ami Sun for additional footage. 

     

    This Tutorial Includes
    • Video
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  • Frame Rate Conversions in Twixtor within Premiere Pro (done in CS5)

    Link
    Description

     

    This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
    Special Thanks to Banditos Brothers for providing footage - www.banditobrothers.com
     Also, special thanks to Rickard Bengtsson for allowing us to use his water balloon footage  www.vimeo.com/rbengtsson.

    This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
    Special Thanks to Banditos Brothers for providing footage. www.banditobrothers.com

    Special Thanks to Rickard Bengtsson for allowing us to use his water balloon footage. www.vimeo.com/rbengtsson. 

    This Tutorial Includes
    • Video
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  • Twixtor: When and How to use Tracking Points

    Link
    Description

    This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

    This Tutorial Includes
    • Video
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