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  • Twixtor▾
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Latest Album

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  • Twixtor for Premiere Pro Screencasts

    Twixtor for Premiere Pro Screencasts Link
    Description

    Twixtor for Premiere Pro Screencasts

    Tutorials
    1. Twixtor Overview within Premiere Pro »
    2. Speed Ramp in Premiere Pro with Twixtor »
    3. LipSynch with Twixtor in Premiere Pro »
    4. Handling Twixtor Artifacts in Premiere Pro »
    5. Twixtor Pro: When and How to use Tracking Points »
    6. Twixtor Pro: Better Retiming using a Matte »
    7. Frame Rate Conversions in Twixtor within Premiere Pro (done in CS5) »
    8. RE:Vision FX and Premiere: Frame Rate Conversion and Mixed Formats »
    9. Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 1 »
    10. Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 2 »
    This Album Includes
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Tutorials

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  • Twixtor, Time Remapping and Excel

    Twixtor for Premiere Pro Screencasts Link
    Description

    In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet.  We also see a frame rate conversion.
    In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet.  We also see a frame rate conversion.

    This Tutorial Includes
    • Video
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  • Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 2

    Twixtor for Premiere Pro Screencasts Link
    Description

     

    In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  
    00:27 - InFPS = OutFPS. 
    01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.
    03:13 - 360 Video checkbox
    03:22 - Twixtor Pro - RGB+A

     

    In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  

    00:27 - InFPS = OutFPS. 

    01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.

    03:13 - 360 Video checkbox

    03:22 - Twixtor Pro - RGB+A

    This Tutorial Includes
    • Video
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  • Twixtor 7 in Premiere Pro and AE 2020-Review and Whats New-Part 1

    Twixtor for Premiere Pro Screencasts Link
    Description

     

    In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.
     
    Music: YouTube Audio Library 
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/Twixtor/

    In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.

     

    This Tutorial Includes
    • Video
    See Tutorial
  • Premiere Pro to After Effects Workflow

    Twixtor for Premiere Pro Screencasts Link
    Description

     

    In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

    In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

     

    This Tutorial Includes
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  • Using 360 Video as a second camera

    Twixtor for Premiere Pro Screencasts Link
    Description

     

    In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.
    Camera used:GoPro Omni 360, GoPro Karma drone
    Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.
    Special Thanks to credit Camera tech: Andrew Ganzon

    In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.


    Camera used:GoPro Omni 360, GoPro Karma drone

    Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

    Camera tech: Andrew Ganzon

     

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  • “Save our Beaches” – an example using multiple RE:Vision Effects plugins

    Twixtor for Premiere Pro Screencasts Link
    Description

     

    This video is a showcase of a short PSA created using RE:Match, DE:FLicker, ReelSmart  Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
    A Special Thanks to:
    Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
    Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
    Patrick Boivin https://www.youtube.com/user/PatrickBoivin  for the Transformer, stop motion footage
    Grayson Hild http://www.graysonhild.com  for the time-lapse pier and lifeguard tower time-lapse footage. 
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/

    This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart  Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
    A Special Thanks to:
    Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
    Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
    Patrick Boivin https://www.youtube.com/user/PatrickBoivin  for the Transformer, stop motion footage
    Grayson Hild http://www.graysonhild.com  for the time-lapse pier and lifeguard tower time-lapse footage. 

     

    This Tutorial Includes
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  • RE:Vision FX and Premiere: Frame Rate Conversion and Mixed Formats

    Twixtor for Premiere Pro Screencasts Link
    Description

    In this tutorial, you will see several examples demonstrating frame rate conversion and mixed format issues and their solutions.

    Credits:
    We would like to thank the following for providing footage:

    Gordon Laing - 120fps footage
    http://cameralabs.com
    cameralabs.com/reviews/Sony_Cyber-shot_RX100_III/


    Also, thanks to Tim Easton for modeling for footage with numbers.

    This Tutorial Includes
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  • Frame Rate Conversions in Twixtor within Premiere Pro (done in CS5)

    Twixtor for Premiere Pro Screencasts Link
    Description

     

    This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
    Special Thanks to Banditos Brothers for providing footage - www.banditobrothers.com
     Also, special thanks to Rickard Bengtsson for allowing us to use his water balloon footage  www.vimeo.com/rbengtsson.

    This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
    Special Thanks to Banditos Brothers for providing footage. www.banditobrothers.com

    Special Thanks to Rickard Bengtsson for allowing us to use his water balloon footage. www.vimeo.com/rbengtsson. 

    This Tutorial Includes
    • Video
    See Tutorial
  • Twixtor: When and How to use Tracking Points

    Twixtor for Premiere Pro Screencasts Link
    Description

    This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

    This Tutorial Includes
    • Video
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