Description

In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels.  This is just one use for RE:Fill Area Fill.  You can check our documentation and other tutorials for other uses.

Description

 

 

In this tutorial, you will see the basic steps to set up Twixtor in Baselight.  Refer to the other Twixtor tutorials to see specifics on how to use all of the Twixtor settings.

Other Twixtor tutorials
Music: YouTube Audio Library 

 

Description

In this tutorial, you will learn the basics for saving effects presets in FCPX.  For more detailed info:Effects Presets

Description

 

In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens in FCP X.

 

Description

 

In this tutorial, we will use RE:Lens in FCP X to directly convert 280 degree fisheye footage, to latitude longitude panoramic format suitable for 360 video viewers.

 

Description

 

 

In this tutorial, we will use the RE:Lens Superfish and the From Latlong plugin, to animate the camera in post and show two examples.   

camera used: Modified GoPro camera with the Entanyia fisheye lens by Entapano 

Description

 

 

In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.

credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarro

Description

 

In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.

Camera used:GoPro Omni 360, GoPro Karma drone

Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

Camera tech: Andrew Ganzon

 

Description

 

This screencast takes the Moving Morph a step further, explaining how to vary the splines dissolve rates and also how to use the Control Image to fine tune your results.
Special Thanks to credit Amy Seiwert's Imagery ( http://www.asimagery.org ) for providing footage for this tutorial.

 

Description

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses