Description

Description:This tutorial covers the basic concepts and use for RE:Match Stereo

Credits:We would like to thank the following for providing footage:
Jaime Fernández Miranda - jim-box.com.

Some material was licensed from Mammoth HD - mammothhd-3d.com/

Thank you to Werner Bloos  info@digi-dat.de for providingFootage 

OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage. 

Description

This tutorial covers the basic concepts and use for RE:Match Color.

Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/

The horses are from Trey Ratcliff of stuckincustoms.com

Also, thanks to Ami Sun for additional footage. 

Description

This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording. This method could also be used to sync video to another video track
Author:  Lori FreitagCompany:

Additional Credits:A special thank you goes out to Christopher Hawley.(www.ChristopherHawley.net) for letting me shoot footage of you singing/playing "Dance all Day" for this tutorial.

Description

This tutorial shows how how to do a Frame rate conversion if the Input and the Output are  both Progressive.
Special Thanks to Banditos Brothers for providing footage. www.banditobrothers.com

Special Thanks to Rickard Bengtsson for allowing us to use his water balloon footage. www.vimeo.com/rbengtsson. 

Description

Joren  Kandel (http://www.thepixellab.net/blog) has provided a Cinema 4D and After Effects tutorial where he shows you how to use  RE:Map UV to replace a C4D UV pass with a 2D texture in After Effects. 

Description

This screencast gives an overview of how to use Twixtor within Final Cut Pro X, to do a SpeedRamp and Fit-to-Fill. You will see an example of the Frame number and Speed option in Twixtor.

Special Thanks to Mark Tekushan for allowing us to use the sailing footage. www.mfxs.com 

Special Thanks to Jesse James Jones for allowing us to use his car footage. www.Jesse.com 

Description

This tutorial shows how to do a simple speed-up and slow-down using Twixtor in FCP X.

Special Thanks to Mark Tekushan for allowing us to use the sailing footage. www.mfxs.com 

Description

This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

Description

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.

Description

This tutorial shows how how to do a Frame rate conversion if the Input and the Output are both Interlaced or both Progressive and also how to do a Frame Rate Conversion from Progressive Footage to Interlaced Footage in  Avid Media Composer

Special Thanks to Mark Tekushan for allowing us to use the sailing footage. www.mfxs.com 

Also special thanks to Rickard Bengtsson for allowing us to use his water balloon footage www.vimeo.com/rbengtsson