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RE:Match
Description
Screencasts of RE:Match Multicam and RE:Match Stereo
Tutorials
- Introduction to RE:Match Color »
- Introduction to RE:Match Stereo »
- RE:Match Non-matching Cameras in Premiere Pro »
- Quick Tip - Setting Color Correction Window »
- Premiere Pro to After Effects Workflow »
- Resolve Tutorial 3 - Handling Multiple Clips »
- RE:Vision Effects OFX Plugins in Flame and Flame Assist »
This Album Includes
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REZup Overview - Resize & Enhance Product: REZup
Description
Timestamps:0:14 What is REZup?0:52 REZup Resize Workflow in After Effects.1:07 Example #1 - Scaling HD to UHD using REZup Resize.5:07 Example #2 - OFX Workflow using Autograph.6:56 Example #3 - REZup Enhance in After Effects.Description:In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.REZup Enhance will increase your image quality. See new details that you did not know were available. REZup Resize will allow you to upscale your video without loss of quality.*To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezupTimestamps:
0:14 What is REZup?
0:52 REZup Resize Workflow in After Effects.
1:07 Example #1 - Scaling HD to UHD using REZup Resize.
5:07 Example #2 - OFX Workflow using Autograph.
6:56 Example #3 - REZup Enhance in After Effects.
Description:In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.REZup Enhance will increase your image quality. See new details that you did not know were available. REZup Resize will allow you to upscale your video without loss of quality.
*To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezupThis Tutorial Includes
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Twixtor, Time Remapping and Excel
Description
In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet. We also see a frame rate conversion.In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet. We also see a frame rate conversion.This Tutorial Includes
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DEFlicker and Timelapse
Description
In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e
This Tutorial Includes
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How to remove Rolling Bands with DEFlicker
Description
In this tutorial, you will learn the basic steps for using DEFlicker Rolling Bands in After Effects. You will see a few examples demonstrating different scenarios.06:56Effect here is the wagon-wheel effect - see these links tolearn more about wagon wheel effect:https://www.youtube.com/watch?v=VNftf5qLpiAhttps://www.youtube.com/watch?v=QOwzkND_ooUhttps://www.youtube.com/watch?v=6XwgbHjRo30https://www.youtube.com/watch?v=9MN5MF72PHsThank you to Anita Rizzano for the Rolling Bands footage.In this tutorial, you will learn the basic steps for using DEFlicker Rolling Bands in After Effects. You will see a few examples demonstrating different scenarios.
06:56See these links to learn more about wagon wheel effect:
https://www.youtube.com/watchv=VNftf5qLpiAhttps://www.youtube.com/watch?v=QOwzkND_ooU
https://www.youtube.com/watch?v=6XwgbHjRo30
https://www.youtube.com/watch?v=9MN5MF72PHs
Thank you to Anita Rizzano for the Rolling Bands footage.
This Tutorial Includes
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RE:Lens Defish and Superfish
Description
In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.
Cameras and lenses used:
Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4
Beating the edge of frame over-stretching with Defish
Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT
Non-Square Pixel Aspect Ratio, Anamorphic process
Ex. 2.A) - GoPro Hero 4 Black Superview Mode
Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4
Full Frame Fisheye and RE:Lens Defish
Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon
Circular Fisheye lenses and RE:Lens Superfish
Ex. 4.A) - With Kipon Adapter
Ex. 4.B) - With Metabones Adapter
Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage
- Superfish Lenses
This Tutorial Includes
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Using Reel Smart Motion Blur with modo 701 outputs in Nuke & After Effects
Description
the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here9bstudios.com/modo70x/CrazyChicken.zipA video covering the use of Reel Smart Motion Blur to add motion blur to your images in the post process via the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here 9bstudios.com/modo70x/CrazyChicken.zip
Special Thanks to Yazan Malkosh 9bstudios.com for providing us with this tutorial. The 3D renderer is Modo luxology.com
This Tutorial Includes
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RE:Map UVW Multipass
Description
Joren Kandel (http://www.thepixellab.net/blog) has provided a Cinema 4D and After Effects tutorial where he shows you how to use RE:Map UV to replace a C4D UV pass with a 2D texture in After Effects.
This Tutorial Includes
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Twixtor: When and How to use Tracking Points
Description
This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.
This Tutorial Includes
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Better Retiming using a Matte
Description
This Tutorial shows how to get better tracking using a matte to separate your footage into multiple layers. Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/twixtor/This Tutorial shows how to get better tracking using a matte to separate your footage into multiple layers. Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.
This Tutorial Includes
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