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  • How to make a perfect stabilization VR 360 Hyperlapse video

    Link
    Description

    Andrii Shramko demos a useful feature in RE:Lens spherical stabilizer allowing you to handle real hard shots by masking areas of the source. You can also use this feature on fisheye stabilization where there is moving junk (light flares and leaks) outside of the image circle that affects the tracking, as well as in stitched videos where a camera is moving indepedently from the rest of the rig (which confuses any tracker).
    https://www.facebook.com/shramko360/

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  • RE:Lens - Stabilizing 360 VR footage

    Link
    Description

     

    In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens Superfish, ToLatLong and FromLatLong.

    In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens Superfish, ToLatLong and FromLatLong.

     

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  • Tracking, Fisheye lenses and RE:Lens

    Link
    Description

     

    Description:
    In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens.  Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFish
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/RELens/

    Description:In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens.  Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFish

     

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  • RE:Lens Defish and Superfish

    Link
    Description

    In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

    Cameras and lenses used:

    Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

           Beating the edge of frame over-stretching with Defish

    Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

           Non-Square Pixel Aspect Ratio, Anamorphic process

    Ex. 2.A) - GoPro Hero 4 Black Superview Mode

    Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

            Full Frame Fisheye and RE:Lens Defish

    Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

            Circular Fisheye lenses and RE:Lens Superfish

    Ex. 4.A) - With Kipon Adapter

    Ex. 4.B) - With Metabones Adapter

    Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

           - Superfish Lenses

     

     

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  • M1 and Rosetta 2

    Link
    Description

    This is a Sales support tutorial explaining M1 and Rosetta 2.
    *Note: There is a small typo at 00:20. It is x86-64  not x64-86
    Author:   Lori Freitag
    Company:  RE:Vision Effects

    This is a Sales support tutorial explaining M1 and Rosetta 2.


    *Note: There is a small typo at 00:20. It is x86-64  not x64-86

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  • Managing your account - Moving a key-based license

    Link
    Description

    In this tutorial we will see how to deactivate a license directly from your machine and also how to manage a license remotely via your account.Note: (This tutorial is for you, if your license format is: XXXX-XXXX-XXXX-XXXX-XXXX-XXXX-XXXX Issued from Dec 2018 and later).



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