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  • REZup Overview - Resize & Enhance Product: REZup

    Link
    Description

     

    Timestamps:
    0:14 What is REZup?
    0:52 REZup Resize Workflow in After Effects.
    1:07 Example #1 - Scaling HD to UHD using REZup Resize.
    5:07 Example #2 - OFX Workflow using Autograph.
    6:56 Example #3 - REZup Enhance in After Effects.
    Description:
    In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.
    REZup Enhance will increase your image quality.  See new details that you did not know were available.  REZup Resize will allow you to upscale your video without loss of quality.
    *To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezup

     

    Timestamps:

    0:14 What is REZup?

    0:52 REZup Resize Workflow in After Effects.

    1:07 Example #1 - Scaling HD to UHD using REZup Resize.

    5:07 Example #2 - OFX Workflow using Autograph.

    6:56 Example #3 - REZup Enhance in After Effects.


    Description:In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.REZup Enhance will increase your image quality.  See new details that you did not know were available.  REZup Resize will allow you to upscale your video without loss of quality.
    *To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezup

    This Tutorial Includes
    • Video
    See Tutorial
  • Twixtor, Time Remapping and Excel

    Link
    Description

    In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet.  We also see a frame rate conversion.
    In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet.  We also see a frame rate conversion.

    This Tutorial Includes
    • Video
    See Tutorial
  • DEFlicker and Timelapse

    Link
    Description

    In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e

    This Tutorial Includes
    • Video
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  • How to remove Rolling Bands with DEFlicker

    Link
    Description

     

    In this tutorial, you will learn the basic steps for using DEFlicker Rolling Bands in After Effects.  You will see a few examples demonstrating different scenarios.
    06:56
    Effect here is the wagon-wheel effect - see these links tolearn more about wagon wheel effect: 
    https://www.youtube.com/watch?v=VNftf5qLpiA
    https://www.youtube.com/watch?v=QOwzkND_ooU
    https://www.youtube.com/watch?v=6XwgbHjRo30
    https://www.youtube.com/watch?v=9MN5MF72PHs
    Thank you to Anita Rizzano for the Rolling Bands footage.

     

    In this tutorial, you will learn the basic steps for using DEFlicker Rolling Bands in After Effects.  You will see a few examples demonstrating different scenarios.


    06:56

    See these links to learn more about wagon wheel effect: 
    https://www.youtube.com/watchv=VNftf5qLpiA

    https://www.youtube.com/watch?v=QOwzkND_ooU

    https://www.youtube.com/watch?v=6XwgbHjRo30

    https://www.youtube.com/watch?v=9MN5MF72PHs

    Thank you to Anita Rizzano for the Rolling Bands footage.

    This Tutorial Includes
    • Video
    See Tutorial
  • RE:Lens Defish and Superfish

    Link
    Description

    In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

    Cameras and lenses used:

    Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

           Beating the edge of frame over-stretching with Defish

    Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

           Non-Square Pixel Aspect Ratio, Anamorphic process

    Ex. 2.A) - GoPro Hero 4 Black Superview Mode

    Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

            Full Frame Fisheye and RE:Lens Defish

    Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

            Circular Fisheye lenses and RE:Lens Superfish

    Ex. 4.A) - With Kipon Adapter

    Ex. 4.B) - With Metabones Adapter

    Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

           - Superfish Lenses

     

     

    This Tutorial Includes
    • Video
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  • Using Reel Smart Motion Blur with modo 701 outputs in Nuke & After Effects

    Link
    Description

     

    the use of motion vectors which modo can output at render time.
    You can access the sample files including the Nuke and After Effects files here
    9bstudios.com/modo70x/CrazyChicken.zip

    A video covering the use of  Reel Smart Motion Blur to add motion blur to your images in the post process via the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here 9bstudios.com/modo70x/CrazyChicken.zip

     

    Special Thanks to Yazan Malkosh 9bstudios.com  for providing us with this tutorial. The 3D renderer is Modo luxology.com

    This Tutorial Includes
    • Video
    See Tutorial
  • RE:Map UVW Multipass

    Link
    Description

    Joren  Kandel (http://www.thepixellab.net/blog) has provided a Cinema 4D and After Effects tutorial where he shows you how to use  RE:Map UV to replace a C4D UV pass with a 2D texture in After Effects. 

    This Tutorial Includes
    • Video
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  • Twixtor: When and How to use Tracking Points

    Link
    Description

    This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

    This Tutorial Includes
    • Video
    See Tutorial
  • Better Retiming using a Matte

    Link
    Description

     

    This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.
    Author:  Lori Freitag
    Company:  RE:Vision Effects
    link: http://revisionfx.com/products/twixtor/

    This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.

    This Tutorial Includes
    • Video
    See Tutorial
  • Frame Edge Issues and Twixtor

    Link
    Description

    This Tutorial explains when it is appropriate to use Smart Blend and shows regular Twixtor with Inverse and with Forward Warping and compares a panning shot slowed down 10x with and without Smart Blend

     

     

    Special Thanks to Mark Tekushan for allowing us to use the beach footage. www.mfxs.com 

     

    This Tutorial Includes
    • Video
    See Tutorial
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