Description

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.

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This Tutorial explains when it is appropriate to use Smart Blend and shows regular Twixtor with Inverse and with Forward Warping and compares a panning shot slowed down 10x with and without Smart Blend

Special Thanks to Mark Tekushan for allowing us to use the beach footage. www.mfxs.com 

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This Tutorial explains how to use Motion Sensitivity to avoid unwanted warping in your re-timed shot.

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This is a four-part tutorial about adding motion blur to a Maya render by first creating a 2D motion vector sequence and then using it with ReelSmart Motion Blur in post production. I’ll be covering Maya 2009’s 2D motion vector pass as well as installation and use of the lm_2DMV shader for earlier Maya versions. Once this technique is part of your pipeline, it can be a tremendous time saver compared with creating (and waiting for) motion blur from within Maya. It also provides the flexibility of applying any amount of motion blur without having to re-render.

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In this tutorial from Motion Works, Grischa Theissen demonstrates a must-know technique for adding motion blur to your 3D renders in After Effects using ReelSmart Motion Blur.   

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This tutorial shows how to use Twixtor in Smoke. It covers the basic re-timing concepts as well as some advanced features, such as Marking edit points, re-timing Alpha mattes and using the Motion Blur feature.

A special thank you goes out to Footage Firm for letting us use the Piggy footage.

A special thank you goes out to Oton Bacar Oton Bacar for letting us use the BMX footage.

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RSMB 3.0 Vectors-Tutorial for Sparks

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RE:Flex 3 for Autodesk (Sparks)

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This is a Sales support tutorial explaining M1 and Rosetta 2.

*Note: There is a small typo at 00:20. It is x86-64  not x64-86