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How to use Color Genius plug-in version
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In this tutorial we will see how to use Color Genius plug-in version. This was created in Resolve but can be applied to any other host application.
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Twixtor, Time Remapping and Excel
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In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet. We also see a frame rate conversion.In this tutorial, you will see two different methods used to remap time, as well as a shortcut using an Excel spreadsheet. We also see a frame rate conversion.This Tutorial Includes
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DEFlicker and Timelapse
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In this tutorial, you will see the workflow used to get rid of Flicker in a Sunset, Time-lapse video shot at a low frame rate with DEFlicker Time-lapse. Download footage here: https://vimeo.com/436250814/34a2feb04e
This Tutorial Includes
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How to remove Rolling Bands with DEFlicker
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In this tutorial, you will learn the basic steps for using DEFlicker Rolling Bands in After Effects. You will see a few examples demonstrating different scenarios.06:56Effect here is the wagon-wheel effect - see these links tolearn more about wagon wheel effect:https://www.youtube.com/watch?v=VNftf5qLpiAhttps://www.youtube.com/watch?v=QOwzkND_ooUhttps://www.youtube.com/watch?v=6XwgbHjRo30https://www.youtube.com/watch?v=9MN5MF72PHsThank you to Anita Rizzano for the Rolling Bands footage.In this tutorial, you will learn the basic steps for using DEFlicker Rolling Bands in After Effects. You will see a few examples demonstrating different scenarios.
06:56See these links to learn more about wagon wheel effect:
https://www.youtube.com/watchv=VNftf5qLpiAhttps://www.youtube.com/watch?v=QOwzkND_ooU
https://www.youtube.com/watch?v=6XwgbHjRo30
https://www.youtube.com/watch?v=9MN5MF72PHs
Thank you to Anita Rizzano for the Rolling Bands footage.
This Tutorial Includes
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Unwrapping iZugar MKX200 3.8mm fisheye with RE:Lens
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RE:Lens tutorial using Izugar 200 mm fisheye - MKX200 is very distortion free
https://www.izugar.com/shop/product/mkx200/Compatible with ZCAM E2, and can also be used on Sony E-Mount and Nikon Z mounts with adapter ringsThis Tutorial Includes
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MV out of Maya with Arnold
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Maya now ships with Arnold as renderer. This tutorial reviews the motion vector shader they made to support our products.
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Export UV maps out of 3DS Max or Maya using Mental Ray or V-Ray
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This document outlines how to generate UV maps out of 3DS Max and Maya using Mental RAY (MR) and VRAY with reference renders and reference scenes and screenshots showing the settings. The intent is then use RE:Map UV or RE:Map Inverse UV in your compositing program.
We would like to thank Chad Capeland (https://indicated.co/) for helping us to document this process and testing the best approaches.
Note if you use V-Ray in Cinema 4D for example, you might want to also check our video tutorial using Cinema 4D Renderer ( http://help.revisionfx.com/task/22/#/tutorial-150) ).
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Quick Tip - Setting Color Correction Window
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Description:This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applicationsThis tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.Description:In this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.
This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applicationsIn this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.This Tutorial Includes
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RSMB for Maya users
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This is a four-part tutorial about adding motion blur to a Maya render by first creating a 2D motion vector sequence and then using it with ReelSmart Motion Blur in post production. I’ll be covering Maya 2009’s 2D motion vector pass as well as installation and use of the lm_2DMV shader for earlier Maya versions. Once this technique is part of your pipeline, it can be a tremendous time saver compared with creating (and waiting for) motion blur from within Maya. It also provides the flexibility of applying any amount of motion blur without having to re-render.
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M1 and Rosetta 2
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This is a Sales support tutorial explaining M1 and Rosetta 2.*Note: There is a small typo at 00:20. It is x86-64 not x64-86Author: Lori FreitagCompany: RE:Vision EffectsThis is a Sales support tutorial explaining M1 and Rosetta 2.
*Note: There is a small typo at 00:20. It is x86-64 not x64-86This Tutorial Includes
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