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Dead pixel, Hot pixel, Stuck pixel removal with RE:Fill
Description
In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels. This is just one use for RE:Fill Area Fill. You can check our documentation and other tutorials for other uses.In this tutorial, you will see how to use RE:Fill Area Fill to get rid of Dead, Hot or Stuck pixels. This is just one use for RE:Fill Area Fill. You can check our documentation and other tutorials for other uses.This Tutorial Includes
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RE:Grade and Timelapse
Description
In this tutorial, you will see a few examples showing different methods of using REGrade to color correct a Time-lapse shot.
Description:In this tutorial, you will see a few examples showing different methods of using REGrade to color correct a Time-lapse shot.Timestamps:00:36 See steps to fixed washed out timelapse footage00:41 Adding RE:Grade Contrast00:56 Fine tuning and adjusting parameters in RE:Grade ContrastMusic: YouTube Audio Library (Virtual Light - Houses of Heaven)Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/REGrade/In this tutorial, you will see a few examples showing different methods of using REGrade to color correct a Time-lapse shot.Music: YouTube Audio Library (Virtual Light - Houses of Heaven)This Tutorial Includes
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How to make a perfect stabilization VR 360 Hyperlapse video
Description
Andrii Shramko demos a useful feature in RE:Lens spherical stabilizer allowing you to handle real hard shots by masking areas of the source. You can also use this feature on fisheye stabilization where there is moving junk (light flares and leaks) outside of the image circle that affects the tracking, as well as in stitched videos where a camera is moving indepedently from the rest of the rig (which confuses any tracker).
https://www.facebook.com/shramko360/This Tutorial Includes
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Premiere Pro to After Effects Workflow
Description
In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link. Examples include use of Twixtor, RE:Match and RE:Lens plugins.In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link. Examples include use of Twixtor, RE:Match and RE:Lens plugins.
This Tutorial Includes
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DEFlicker HighSpeed Footage in Premiere
Description
In this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.credits:camera used: Panasonic GH5 1080P at 180 FPSSource footage provided by Chris FarroInstagram | @chrisfarroYouTube | youtube.com/ChristopherFarroIn this tutorial, we will use the DEFlicker Highspeed plugin, to see how to remove flicker on high speed footage.
credits:camera used: Panasonic GH5 1080P at 180 FPS Source footage provided by Chris Farro Instagram | @chrisfarroYouTube | youtube.com/ChristopherFarroThis Tutorial Includes
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Using 360 Video as a second camera
Description
In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them provided using RE:Vision Effects plug-ins.Camera used:GoPro Omni 360, GoPro Karma droneSoftware used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.Special Thanks to credit Camera tech: Andrew GanzonIn this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them provided using RE:Vision Effects plug-ins.
Camera used:GoPro Omni 360, GoPro Karma droneSoftware used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.
Camera tech: Andrew Ganzon
This Tutorial Includes
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Tracking, Fisheye lenses and RE:Lens
Description
Description:In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens. Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFishAuthor: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/RELens/Description:In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens. Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFish
This Tutorial Includes
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RE:Lens Defish and Superfish
Description
In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.
Cameras and lenses used:
Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4
Beating the edge of frame over-stretching with Defish
Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT
Non-Square Pixel Aspect Ratio, Anamorphic process
Ex. 2.A) - GoPro Hero 4 Black Superview Mode
Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4
Full Frame Fisheye and RE:Lens Defish
Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon
Circular Fisheye lenses and RE:Lens Superfish
Ex. 4.A) - With Kipon Adapter
Ex. 4.B) - With Metabones Adapter
Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage
- Superfish Lenses
This Tutorial Includes
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Motion Graphics and RE:Lens
Description
In this tutorial, we will see how to use motion graphics, text and AE Paint with RE:Lens.
This Tutorial Includes
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RE:Lens Working with 360 Virtual Sets
Description
In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.Was also used:RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After EffectsIn this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.
13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.
RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After Effects
This Tutorial Includes
- Video