Description

A series of tutorials using RE:Fill in After Effects and Premiere

Tutorials

1. Dead pixel, Hot pixel, Stuck pixel removal with RE:Fill »
2. RE:Fill for Better Composites »
3. RE:Fill Added Features »

Description

Shoot with super-wide fisheye lenses and animate orientation, stabilize and zoom (focal length) using RE:Lens Superfish with very high res video.Great for narrow places, non-scripted, non-predictable shoots and extra POV wide-angle cameras, PTZ in post. *Resolve tends to change a lot, version used:  v.20.2.3

Cameras used:Ex. 1 - Canon c500 with the HAL 220 lensEx. 2 - Panasonic GH5 + Entaniya 250° lensEx. 3 - RED Monstro camera with a HAL 200 6.0mmEx. 4 - Sony Mirrorless camera with HAL 200 

Description

Quick tutorial describing how to use the Keyframe Editor in Twixtor Pro while working in Premiere Pro.

Description

This tutorial goes through the steps used to create this Promo https://youtu.be/o9InnpS3bUw?si=PR3OxiFoJTZr2gi2 It shows how to apply and use RE:Vision Effects plugins: Twixtor, RSMB, RE:Match and DEFlicker in Premiere Pro.

Description

In this tutorial we will see how to use Color Genius plug-in version.  This was created in Resolve but can be applied to any other host application.

Description

This is an example of another method besides using Render Effects, to have smooth editing with high resolution files.  We use proxy mode with Twixtor so you can dynamically change the video speed with our tools without pre-rendering previews every time, while editing.

**Note: One reason we use proxies here is that the footage is 4K and Twixtor is not a real-time effect in Premiere, so at 4K, you might have non-responsive playback even with GPU on.

Description

In this tutorial, we will see a quick workaround.  In the latest version of Premiere, they added Auto-Tone Map Media which is a check box in the sequence settings, and it is checked on by default.  We will see a workaround for this issue.

Description

In this tutorial, we will see four examples using Fieldskit to handle 3:2 pulldown and for converting Interlaced to Progressive footage in Premiere Pro.

Thank you to Travis Scott for the footage used for 3:2 Pulldown example and to Doug Palmer (www.PalmerMedia.net) for the footage used for the Interlaced to Progressive footage examples.

Description

Timestamps:

0:14 What is REZup?

0:52 REZup Resize Workflow in After Effects.

1:07 Example #1 - Scaling HD to UHD using REZup Resize.

5:07 Example #2 - OFX Workflow using Autograph.

6:56 Example #3 - REZup Enhance in After Effects.

Description:In this tutorial, we will see two of our plugins, REZup Resize and Enhance. We see workflow examples in After Effects and in an OFX host, Autograph.REZup Enhance will increase your image quality.  See new details that you did not know were available.  REZup Resize will allow you to upscale your video without loss of quality.
*To see Before/After results in detail please check the gallery https://revisionfx.com/gallery/#rezup

Description

In this tutorial, we will see two examples showing some advanced features for RSMB Pro.  You will see an example using a matte to separate foreground from background and also how to use point tracking to guide RSMB's image tracking on problematic footage.Up to 12 tracking points can be specified to help guide RSMB Pro's motion estimation.

Credits:
Thank you to Mark Tekushan for the use of theNYC footage we used for the first example. www.mfxs.com

Thank you to Avi Cohen for the use of the footage for the second example. www.AviCohen.tv