Description

 

 

This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording. This method could also be used to sync video to another video track
Author:  Lori FreitagCompany:

Additional Credits:A special thank you goes out to Christopher Hawley.(www.ChristopherHawley.net) for letting me shoot footage of you singing/playing "Dance all Day" for this tutorial.

Description

 

This tutorial shows how how to do a Frame rate conversion including interlaced and progressive input and output settings. Use this tutorial for Twixtor v5.4 and up.

If you are using versions earlier than Twixtor v5.4, then watch this link: http://www.youtube.com/watch?v=vML1oHCbP-U&list=PL6259C7867889AC48

Footage provided by Banditos Brothers - www.banditobrothers.com

 

Description

This screencast gives an overview of how to use Twixtor within Final Cut Pro X, to do a SpeedRamp and Fit-to-Fill. You will see an example of the Frame number and Speed option in Twixtor.

Special Thanks to Mark Tekushan for allowing us to use the sailing footage. www.mfxs.com 

Special Thanks to Jesse James Jones for allowing us to use his car footage. www.Jesse.com 

Description

 

This tutorial shows how to do a simple speed-up and slow-down using Twixtor in FCP X.

Special Thanks to Mark Tekushan for allowing us to use the sailing footage. www.mfxs.com 

Description

This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting. Tracking Points are available in Twixtor Pro for AE, FCP (pre-FCPX), Premiere Pro, Nuke & OFX hosts such as Scratch & Composite.

Description

 

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.

Description

This tutorial shows how to use DE:Noise. It continues where the "Essentials" tutorial left off. This tutorial covers some of the more advanced settings to remove unwanted noise from your footage and gives examples so you can easily apply them to similar scenarios. The controls are the same in all supported applications except where I note differences.

Special Thanks to (in order of appearance) for providing and/or allowing us to use their footage for this tutorial: (1) Mark Tekushan for the Noisy Blue screen footage www.markfx.com (2) Sean Wheeler & Zander Schloss for allowing us to use the footage I shot of them playing www.facebook.com/SeanWheelerandZanderSchloss (3) Grant Davis www.vjculture.com (4) Jim Tierney for his whale footage www.whalewatcher.net (5) Michael Sayag for his black & white footage (6) AlFredo from BLT in Italy for the Italian Car footage www.blt.itt

Description

This tutorial shows how to use DE:Noise.  It covers the essential settings to remove unwanted noise from your footage and gives examples so you can easily apply them to similar scenarios. The controls are the same in all supported applications.

Special Thanks to Michael Sayag for allowing us to use his black & white footage for this tutorial. We would also like to thank Ami Sun for the additional footage used for this tutorial 

Description

This Tutorial shows how to mark segments in an edit in order to avoid warping across edits when speeding up or slowing down the overall edit.

A special thank you goes out to MarkEFXS for letting us use this footage.

Description

RSMB 4.0 sample Projects for FCP