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Using Reel Smart Motion Blur with modo 701 outputs in Nuke & After Effects
Description
the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here9bstudios.com/modo70x/CrazyChicken.zipA video covering the use of Reel Smart Motion Blur to add motion blur to your images in the post process via the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here 9bstudios.com/modo70x/CrazyChicken.zip
Special Thanks to Yazan Malkosh 9bstudios.com for providing us with this tutorial. The 3D renderer is Modo luxology.com
This Tutorial Includes
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Advanced Twixtor Pro: better results using mattes and splines in After Effects
Description
Flashback Japan's tutorial series "Creators' View" features a Japanese video director Koutaro Takano to provide in-depth review and explanation of Twixtor. This is our adaptation of their tutorial on how to utilize the Twixtor Pro features to create speed changes in footage.Special Thanks to Flashback Japan for creating the Original version.Adapted by: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/twixtor/Flashback Japan's tutorial series "Creators' View" features a Japanese video director Koutaro Takano to provide in-depth review and explanation of Twixtor. This is our adaptation of their tutorial on how to utilize the Twixtor Pro features to create speed changes in footage.
Special Thanks to Flashback Japan for creating the Original version.This Tutorial Includes
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RE:Match Non-matching Cameras in Premiere Pro
Description
In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.
This Tutorial Includes
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Exporting 3D Renders out of C4D for our plugins: Part 2 - More Passes
Description
This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors, Smoothkit ZBlur, RE:Fill and Shade Shape in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins).Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors, Smoothkit ZBlur, RE:Fill and Shade Shape in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins).
Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.
This Tutorial Includes
- Video
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RE:Vision Effects products with Cinema4D
Description
Assigning a Coverage Alpha Matte to the Control Source
Some of our products work from image data rendered from a 3D renderer. Here are notes about Motion Vectors but they apply as well to exporting surface normals or UV maps…
This Tutorial Includes
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Introduction to RE:Match Stereo
Description
Description:This tutorial covers the basic concepts and use for RE:Match Stereo
Credits:We would like to thank the following for providing footage:
Jaime Fernández Miranda - jim-box.com.Some material was licensed from Mammoth HD - mammothhd-3d.com/
Thank you to Werner Bloos info@digi-dat.de for providingFootage
OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage.
This Tutorial Includes
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Introduction to RE:Match Color
Description
This tutorial covers the basic concepts and use for RE:Match MulticamCredits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/The horses are from Trey Ratcliff of stuckincustoms.comAnd also, thanks to Ami Sun for additional footage.Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/rematch/This tutorial covers the basic concepts and use for RE:Match Color.
Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/The horses are from Trey Ratcliff of stuckincustoms.com
Also, thanks to Ami Sun for additional footage.
This Tutorial Includes
- Video
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Exporting 3d renders out of C4D for our plugins : Part 1 - Motion Vectors and UV Maps
Description
This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). A Sample project is included using After Effects.Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). A Sample project is included using After Effects.
Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.This Tutorial Includes
- Video
- ZIP File
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Lip-Synch with Twixtor in Final Cut Pro X- Key framed alignment of video to audio
Description
This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording. This method could also be used to sync video to another video trackAuthor: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/twixtor/Additional Credits:A special thank you goes out to Christopher Hawley.(www.ChristopherHawley.net) for letting me shoot footage of you singing/playing "Dance all Day" for this tutorial.This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording. This method could also be used to sync video to another video track
Author: Lori FreitagCompany:Additional Credits:A special thank you goes out to Christopher Hawley.(www.ChristopherHawley.net) for letting me shoot footage of you singing/playing "Dance all Day" for this tutorial.
This Tutorial Includes
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Frame Rate Conversions in Twixtor within Premiere Pro (done in CS5)
Description
This tutorial shows how how to do a Frame rate conversion if the Input and the Output are both Progressive.Special Thanks to Banditos Brothers for providing footage - www.banditobrothers.comAlso, special thanks to Rickard Bengtsson for allowing us to use his water balloon footage www.vimeo.com/rbengtsson.This tutorial shows how how to do a Frame rate conversion if the Input and the Output are both Progressive.
Special Thanks to Banditos Brothers for providing footage. www.banditobrothers.comSpecial Thanks to Rickard Bengtsson for allowing us to use his water balloon footage. www.vimeo.com/rbengtsson.
This Tutorial Includes
- Video