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DEFlicker for FCP X - Best practices
Description
This tutorial covers the best practices and tips for using DE:Flicker in FCP X to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.This tutorial covers the best practices and tips for using DEFlicker in FCP X to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.
This Tutorial Includes
- Video
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HitFilm: Twixtor basics
Description
his tutorial covers the basic use of Twixtor in HitFilm to do a Speedup, a Slow down and an animated Speed Ramp.Special thanks to Rickard Bengston https://vimeo.com/rbengtsson for use of his footage.his tutorial covers the basic use of Twixtor in HitFilm to do a Speedup, a Slow down and an animated Speed Ramp.
Special thanks to Rickard Bengston for use of his footage.
This Tutorial Includes
- Video
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HitFilm: RSMB, Effects with two inputs
Description
This tutorial covers the basic use of RSMB and RSMB Pro with Vectors in HitFilm.Special thanks to Rickard Bengston for the BMX footage and Arkadiy Demchenko for the Motion Vector spider. http://www.sigillarium.com/blog/Author: Lori FreitagThis tutorial covers the basic use of RSMB and RSMB Pro with Vectors in HitFilm.
Special thanks to Oton Bacar for the BMX footage and Arkadiy Demchenko for the Motion Vector spider.This Tutorial Includes
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Our Plug-Ins in HitFilm - Intro
Description
This tutorial covers the installation and basic usage of our plug-ins in HitFilm. We use DE:Noise for this example.Special thanks to Sean Wheeler and Zander Schloss for letting us use a recording of them.This tutorial covers the installation and basic usage of our plug-ins in HitFilm. We use DE:Noise for this example.
Special thanks to Sean Wheeler and Zander Schloss for letting us use a recording of them.This Tutorial Includes
- Video
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Twixtor, Particular and RE:Fill create a unique motion-based particle effect
Description
This tutorial will show how to use Twixtor Pro and RE:Fill and Trapcode’s Particular to turn a real-world person (or any object) into what looks like the person is made out of particles. We will be using the motion calculated from the object to throw the particles off the person, which provides more interaction between the person and the particles. You will need Twixtor Pro and RE:Fill by RE:Vision Effects and Particular (by Trapecode for Red Giant) for this tutorial.This tutorial will show how to use Twixtor Pro and RE:Fill and Trapcode’s Particular to turn a real-world person (or any object) into what looks like the person is made out of particles. We will be using the motion calculated from the object to throw the particles off the person, which provides more interaction between the person and the particles. You will need Twixtor Pro and RE:Fill by RE:Vision Effects and Particular (by Trapecode for Red Giant) for this tutorial.
This Tutorial Includes
- Video
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Using Twixtor and After Effects to retime both audio and video
Description
Many users ask us if Twixtor can retime audio. While Twixtor only retimes video, there is an easy way to use After Effects to retime the audio, but use Twixtor to retime the video, all at the same time. This tutorial shows you two different methods on how to do this.
Special thanks to Tim Easton for being my model for the footage.
This Tutorial Includes
- Video
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Using RE:Flex Warp with Mocha’s tracking of open splines
Description
In this tutorial, Mary Poplin shows how to use Mocha to speed the process tracking of important features of a model’s face. The tracked splines are then used with RE:Flex Warp to make the model a bit thinner. A similar technique could be employed that used Mocha to track two sequences and import the open splines for use with RE:Flex Motion Morph for tracking assistance when producing a morph on two moving sequences.
This Tutorial Includes
- Video
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“Save our Beaches” – an example using multiple RE:Vision Effects plugins
Description
This video is a showcase of a short PSA created using RE:Match, DE:FLicker, ReelSmart Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.A Special Thanks to:Mathias Omotola from http://www.maxon.net for helping me with the C4D title.Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footagePatrick Boivin https://www.youtube.com/user/PatrickBoivin for the Transformer, stop motion footageGrayson Hild http://www.graysonhild.com for the time-lapse pier and lifeguard tower time-lapse footage.Author: Lori FreitagCompany: RE:Vision Effectslink: http://revisionfx.com/products/This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
A Special Thanks to:
Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
Patrick Boivin https://www.youtube.com/user/PatrickBoivin for the Transformer, stop motion footage
Grayson Hild http://www.graysonhild.com for the time-lapse pier and lifeguard tower time-lapse footage.This Tutorial Includes
- Video
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RE:Vision FX and Premiere: Frame Rate Conversion and Mixed Formats
Description
In this tutorial, you will see several examples demonstrating frame rate conversion and mixed format issues and their solutions.
Credits:
We would like to thank the following for providing footage:
Gordon Laing - 120fps footage
http://cameralabs.com
cameralabs.com/reviews/Sony_Cyber-shot_RX100_III/
Also, thanks to Tim Easton for modeling for footage with numbers.This Tutorial Includes
- Video
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Intro to RE:Match Color in Vegas Pro
Description
This tutorial covers the basic concepts and use for RE:Match ColorCredits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/The horses are from Trey Ratcliff of stuckincustoms.comAlso, thanks to Ami Sun for additional footage.This tutorial covers the basic concepts and use for RE:Match Color
Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/
The horses are from Trey Ratcliff of stuckincustoms.com
Also, thanks to Ami Sun for additional footage.This Tutorial Includes
- Video