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RE:Match
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Screencasts of RE:Match Multicam and RE:Match Stereo

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Premiere Pro to After Effects Workflow
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In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link. Examples include use of Twixtor, RE:Match and RE:Lens plugins.

In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link. Examples include use of Twixtor, RE:Match and RE:Lens plugins.
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Quick Tip - Setting Color Correction Window
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Description:

This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applicationsThis tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.Description:

In this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.

This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applicationsIn this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.
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“Save our Beaches” – an example using multiple RE:Vision Effects plugins
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This video is a showcase of a short PSA created using RE:Match, DE:FLicker, ReelSmart Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.

A Special Thanks to:

Mathias Omotola from http://www.maxon.net for helping me with the C4D title.

Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage

Patrick Boivin https://www.youtube.com/user/PatrickBoivin for the Transformer, stop motion footage

Grayson Hild http://www.graysonhild.com for the time-lapse pier and lifeguard tower time-lapse footage.

Author: Lori Freitag

Company: RE:Vision Effects

link: http://revisionfx.com/products/

This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
A Special Thanks to:
Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
Patrick Boivin https://www.youtube.com/user/PatrickBoivin for the Transformer, stop motion footage
Grayson Hild http://www.graysonhild.com for the time-lapse pier and lifeguard tower time-lapse footage.
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RE:Match Non-matching Cameras in Premiere Pro
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In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.
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Introduction to RE:Match Stereo
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Description:This tutorial covers the basic concepts and use for RE:Match Stereo

Credits:We would like to thank the following for providing footage:
Jaime Fernández Miranda - jim-box.com.

Some material was licensed from Mammoth HD - mammothhd-3d.com/

Thank you to Werner Bloos info@digi-dat.de for providingFootage

OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage.
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Introduction to RE:Match Color
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This tutorial covers the basic concepts and use for RE:Match Multicam

Credits:

We would like to thank the following for providing footage:

Some material was licensed from Mammoth HD - mammothhd-3d.com/

The horses are from Trey Ratcliff of stuckincustoms.com

And also, thanks to Ami Sun for additional footage.

Author: Lori Freitag

Company: RE:Vision Effects

link: http://revisionfx.com/products/rematch/

This tutorial covers the basic concepts and use for RE:Match Color.

Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/

The horses are from Trey Ratcliff of stuckincustoms.com

Also, thanks to Ami Sun for additional footage.
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M1 and Rosetta 2
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This is a Sales support tutorial explaining M1 and Rosetta 2.

*Note: There is a small typo at 00:20. It is x86-64 not x64-86

Author: Lori Freitag

Company: RE:Vision Effects

This is a Sales support tutorial explaining M1 and Rosetta 2.

*Note: There is a small typo at 00:20. It is x86-64 not x64-86
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Managing your account - Moving a key-based license
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In this tutorial we will see how to deactivate a license directly from your machine and also how to manage a license remotely via your account.Note: (This tutorial is for you, if your license format is: XXXX-XXXX-XXXX-XXXX-XXXX-XXXX-XXXX Issued from Dec 2018 and later).
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