Description

Tutorials

1. RE:Vision Effects OFX Plugins in Flame and Flame Assist »
2. Handling clips with different Input and Output sizes within Flame »
3. RE:Map, Cryptomatte and Reusable 3D Renders »
4. Sparks vs. OFX in Flame »
5. Twixtor in Smoke »

Description

In this tutorial, we will see two new workarounds for using our OFX plug-ins with Resolve/Fusion.  One of our workarounds is not working anymore in Fusion, so we will start with what “not to do”, and then show you the workarounds that do currently work. 

Description

In this tutorial, you will see three different ways to work with our plugins in Flame and Flame Assist.  You will see examples of DENoise on the Timeline and DEFlicker in Batch and REMatch Color in BFX.

Music: YouTube Audio Library
Author:  Lori Freitag

Description

In this tutorial, you will see the how to apply OFX plugins in Baselight using DEFlicker for temporal processing effect and RE:Match Stereo for an example of using two input sources...

Description

In this tutorial, you will see six examples using REMatch with multiple clips. In addition, you will see how to apply presets to clips (in this case we used RSMB and DE:Noise but you can use any plugins).

Music: Awaken by Mrpetelee Rzd5 | https://soundcloud.com/mrpeteleerzd5officialMusic promoted by https://www.free-stock-music.com
Surfer footage by: Jaime Fernández Miranda. 

Description

In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

Description

In this tutorial, you learn about the Window option for more precise color matching with RE:Match color. This complements our other tutorials about specific features of the product that work the same in all applications.

Description

This video is a showcase of a short PSA created using RE:Match, DEFlicker, ReelSmart  Motion Blur and Twixtor that show real world example of problems solved such as: multiple shots that are automatically color matched, flicker removal, footage extended to match a needed duration, and motion blur added to remove stutter.
A Special Thanks to:
Mathias Omotola from http://www.maxon.net for helping me with the C4D title.
Oton Bacar http://vimeo.com/user4329703 for the Twixtor Slomo bike footage
Patrick Boivin https://www.youtube.com/user/PatrickBoivin  for the Transformer, stop motion footage
Grayson Hild http://www.graysonhild.com  for the time-lapse pier and lifeguard tower time-lapse footage. 

Description

This tutorial covers the basic concepts and use for RE:Match Color
Credits:We would like to thank the following for providing footage:Some material was licensed from Mammoth HD - mammothhd-3d.com/
The horses are from Trey Ratcliff of stuckincustoms.com
Also, thanks to Ami Sun for additional footage. 

Description

In this tutorial, we interpolate between different still camera views.  We review some advanced techniques (mattes and splines) to help the frame interpolation.  RE:Match Stereo was used to remove a water spot from the footage.