Description

Shoot with super-wide fisheye lenses and animate orientation, stabilize and zoom (focal length) using RE:Lens Superfish with very high res video.Great for narrow places, non-scripted, non-predictable shoots and extra POV wide-angle cameras, PTZ in post. *Resolve tends to change a lot, version used:  v.20.2.3

Cameras used:Ex. 1 - Canon c500 with the HAL 220 lensEx. 2 - Panasonic GH5 + Entaniya 250° lensEx. 3 - RED Monstro camera with a HAL 200 6.0mmEx. 4 - Sony Mirrorless camera with HAL 200 

Description

Quick tutorial describing how to use the Keyframe Editor in Twixtor Pro while working in Premiere Pro.

Description

In this tutorial, you will see a method to use REZup Resize in the Fusion page. You can watch this tutorial at 06:12 to see an alternate method. Twixtor in Resolve

Description

This tutorial goes through the steps used to create this Promo https://youtu.be/o9InnpS3bUw?si=PR3OxiFoJTZr2gi2 It shows how to apply and use RE:Vision Effects plugins: Twixtor, RSMB, RE:Match and DEFlicker in Premiere Pro.

Description

In this tutorial, you will see 4 methods to use Twixtor in Resolve Fusion.  In addition, you will see a quick overview of using DEFlicker, REZup and Color Genius in the Cut and Edit pages.
Timestamps:

00:06  Introduction

01:34  Start project

02:01  Adding Effects in Cut/Edit pages

02:47  Example adding DEFlicker

03:01  Adding Twixtor for Speedup

03:32  Adding Color Genius 

03:49  Adding Twixtor to reverse the timing

04:20  Adding Twixtor for a slomo - Method 1

05:44  Adding Twixtor for a slomo - Method 2

06:10  Adding Twixtor for a slomo - Method 3 and REZup Resize

08:45  Render in Place

09:01  Adding Twixtor for a slomo - Method 4

09:31  The Don't

09:57  Recap

Description

In this tutorial we will see how to use Color Genius plug-in version.  This was created in Resolve but can be applied to any other host application.

Description

In this tutorial we will see how to do a simple slow-mo in Motion using Twixtor v8 with Machine Learning.  We see a comparison between optical flow and DNN (Machine Learning) options.

Description

This is a very basic starter tutorial for RE:Flex Motion Morph.  You will see a step-by-step on how to setup a motion morph using open and closed splines.  After Effects 2024 was used to create this tutorial.

Timestamps:

Intro

00:00 - 00:58

Get Started

00:59 - 02:13

Lining Up

02:14 - 04:06

Pre-Compose

04:07 - 04:36

Apply RE:Flex Motion Morph

04:37 - 05:33

Setting Global Warp & Blend

05:33 - 06:12

Setting up Splines (Masks)

06:13 - 13:19

Auto Align & Smart Blend

13:19 - 13:41

Re-Cap/Conclusion

13:42 - 14:40

Description

This is an example of another method besides using Render Effects, to have smooth editing with high resolution files.  We use proxy mode with Twixtor so you can dynamically change the video speed with our tools without pre-rendering previews every time, while editing.

**Note: One reason we use proxies here is that the footage is 4K and Twixtor is not a real-time effect in Premiere, so at 4K, you might have non-responsive playback even with GPU on.

Description

In this tutorial, we will see a quick workaround.  In the latest version of Premiere, they added Auto-Tone Map Media which is a check box in the sequence settings, and it is checked on by default.  We will see a workaround for this issue.