Description

 

In this tutorial, we show how to integrate Mocha tools with our plugins since many of our tools support mattes, points, and masks from other software, we will see examples of this integration using Mocha to export mattes, masks, corner pin, stabilization and transform data.

01:11  Import Shape - example uses PV Feather

02:45  Open Shapes with Mask Avenger - example uses SmoothKit Directional With Splines

06:56  Import Corner Pin and Stabilization transform - into RE:Map Planar / Corner Pin  (using expressions)

10:30  Import Matte - clean with RE:Fill

Credits: picture set used here is of "Madison" (daughter of william @ illuminessence.co.uk)

 

Description

 

In this tutorial, we interpolate between different still camera views.  We review some advanced techniques (mattes and splines) to help the frame interpolation.  RE:Match Stereo was used to remove a water spot from the footage. 

 

Description

Eloi Andaluz from Catalonia has made an handy tutorial for 3DS Max users about exporting UV maps.

Description

This tutorial covers some advanced tools in Twixtor Pro including Masks & Splines and also, Smart blend usage and tips on Roto'ing to improve final results.

Description

 

A video covering the use of  Reel Smart Motion Blur to add motion blur to your images in the post process via the use of motion vectors which modo can output at render time.You can access the sample files including the Nuke and After Effects files here 9bstudios.com/modo70x/CrazyChicken.zip

 

Special Thanks to Yazan Malkosh 9bstudios.com  for providing us with this tutorial. The 3D renderer is Modo luxology.com

Description

Flashback Japan's tutorial series "Creators' View" features a Japanese video director Koutaro Takano to provide in-depth review and explanation of Twixtor.  This is our adaptation of their tutorial on how to utilize the Twixtor Pro features to create speed changes in footage.
Special Thanks to Flashback Japan for creating the Original version.

Description

In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.

Description

 

 

This tutorial shows how how to set up a project in Cinema 4D to get the best results for use with RE:Map UV and RSMB Pro Vectors, Smoothkit ZBlur, RE:Fill and Shade Shape in After Effects (although you can use other host applications for compositing and some of this will apply to other plugins). 

Special Thanks to Patrick Goski at Maxon.net for creating & providing the C4D sample project and for his support 24/7.

Description

Assigning a Coverage Alpha Matte to the Control Source

Some of our products work from image data rendered from a 3D renderer. Here are notes about Motion Vectors but they apply as well to exporting surface normals or UV maps…

Description

Description:This tutorial covers the basic concepts and use for RE:Match Stereo

Credits:We would like to thank the following for providing footage:
Jaime Fernández Miranda - jim-box.com.

Some material was licensed from Mammoth HD - mammothhd-3d.com/

Thank you to Werner Bloos  info@digi-dat.de for providingFootage 

OriginalMusic by Bob Bralove, bobbralove.comAlso, thanks to Anthony Magliocco additional footage.